Don't Want to Hear That Anymore...

Photo by Andrea Piacquadio from Pexels

Besides being the year for almost every conceivable disaster- pandemic, social chaos, tornadoes, unemployment, school cancellations, tropical storms, heat waves, toilet paper shortages- 2020 will also be known as the Year of Yet Another Cliche. These are the phrases/words I NEVER want to hear again: 

        Unprecedented times

    Challenging times

    

    Hydroxychloroquine

    Social distancing

    Kanye

    Uncertain times

    Karen

    United - Apart

    We're in this together

The one that bugs me the most (ok, they ALL bug me) is 'social distancing.' Um, NO. What we want is physical distancing- you know, keep your physical distance to stop the spread. Social distancing implies avoiding any social situations. That would mean no one goes anywhere, ever.  And that is just not possible. So politicians, if you want an accurate catch phrase, next time call an author.

I'm pretty sure most of you feel this way too. And, as an author, I will never write a pandemic story because you know almost everyone else is going to write a novel or screenplay about it. I read pandemic stories before Covid-19, and that was fine. I've lived through a pandemic now and to me, that's like reading about your worst nightmare; I don't go there. I don't read all happy, happy, joy, joy books but it doesn't mean I want to relive something which stresses me to the max personally. 

Now I have to get back to my rom com novel because I have to break a few hearts and totally screw up a character's life...  😉

Char 

(wow, I really like all the new font colors, Blogger, but where the frick is the tab to fix spacing??) 😖

    

Writing in the Time of Pandemic

We're all trying to deal with this pandemic and a new 'normal'. I've heard people "keep a journal" of our experiences as we are living this crisis. A decade or two into the future, people will either reminisce or want to learn about it.

I'm not a good journal keeper. Inconsistency is my biggest flaw because I get distracted by life, projects, seasons, family, etc. And then, there are days where there is nothing that I want to convey, nothing that is interesting. Kind of like always posting on Instagram. I'm scrolling past pics of food,  flowers, family pets, etc. because there are so many (and yes, I'm guilty of posting them, although not to a great extent). After a while, it becomes tedious. I want something fresh.

Another suggestion is to make notes for a future book. Nope, not doing it. There will be millions of other writers all across the globe with that same idea. If people think there are too many vampire books, in the next few years the market will be saturated with pandemic books. Already there are books hitting the market, via self-publishing. Besides not wanting to jump into that overcrowded boat, since I'm living it, I don't want to read about it. I'm not into 'issue' books; I find the angst boring, or overdone. I understand some people are very anxious over certain subjects and this pandemic is enough to give anyone an anxiety attack, depression, or other mental and emotional problems. I'm not disparaging them or the issues because in my family, we have members who must deal every day with them. I just don't want to read about them. Nor do I want to write about them. (This blog is the most I've written about the Covid-19 pandemic, and honestly, I think the next time I write about it is when we are finally free to move about.) There are, and will be, many stories about it so no one needs to hear/read mine. It's a story I don't care to tell.

But writing in general is hard during this time. I can't say I've ever really suffered from writer's block. Sure, I get stumped on a plot point occasionally, but usually within a day or two, as I'm doing mindless work like weeding, cleaning, or swimming, I can figure out a solution to my problem. Only this time it's different; I have a new manuscript started, but I couldn't find the 'groove.' It's a light-hearted romance, but I couldn't get 'in the mood' to write about love and happy things during such a grim time. There are a lot of writers, from what I read or see on Facebook, Twitter, Instagram, and just plain chat, that are having the same problem. And if the muse is hiding, unwilling to be found, I don't think you can force it.

The solution for me is to work on older manuscripts; revise ones that were thrown in a drawer, those that didn't get far with agents/editors, those that my critique group is red-penciling. Reading a whole novel pulls me in; I don't have to plan out the plot, or create characters, or set up resolution. All I have to do is read with a critical eye to see where I can improve, even if it ends up being a complete overhaul, because at least the framework is there. So far, I've revised three manuscripts. I have the first book I ever wrote, an adult horror, that is next. These were revisions I meant to do; I was going to do them all last summer, but... life. Then came retirement for my husband, and a vacation, then BAM! Covid-19. In this lockdown, there are fewer distractions: no bell practice, no setting up the church flowers, no trustee meetings, no concert practice, no going out for pizza, no visiting family. I didn't realize how much time I spent on these activities- nor how much I'd miss them. By throwing myself into revisions, my muse is peeking her head out. Last night I wrote almost 200 words. Not much when some people are cranking out 3,000 or more, but this is not a competition. I am getting things done that are important to me. There is no prize, other than self satisfaction, for writing the most words, or doing the most decluttering, or painting the most rooms. I'm not in it to win it.

So as this drags on, I hope to get that novel written and the other revised. Be kind to yourself if you don't accomplish everything, or even anything, on your To Do list, because surviving without emotional or mental harm, besides the obvious physical, is the goal. Be good to yourself, be compassionate of others, and avoid the crazies who think that because death rates seem to be leveling off or dropping, that they can congregate in large groups, or not wear their mask, or refuse to stay home.

Praying for better days...

Char

Please Stop, Your Story is Killing Me...

Last week I was in Los Angeles, visiting my middle son and doing touristy things. (Tip: It's very expensive to visit/live...)

Ah, the Pacific Coast Highway...

When I travel, I don't bring books (gasp!) but I load up my Kindle with new and debut authors to see what they are writing. Without mentioning the author or the title of one of three books I got, I'm putting up my editing notes on the one book I read (I was very busy). My notes, on hotel notepad paper, got jumbled in my suitcase so my comments are not in order:

1. There were too many repeated phrases, i.e. "You know that, right?" It seems every character said this multiple times.
2. If this is a YA book (and it was) STOP using "f*&%!" for the word 'fuck.' If the dialog needs the word THEN SAY THE WORD. We're all grownups here and know the word- we all use it, too.
3. I don't know how old the author is, but tired phrases like "pipe down" are only suitable for older characters. I don't know a young adult anywhere who would use that phrase. Update your vocab.
4. Almost EVERY CHARACTER winked. Read Angela Ackerman's Emotion Thesaurus to find fresher ways to physically convey emotions. Not everyone winks (I rarely, if ever, do.)
5. How can you pub a book and MISSPELL 'livelihood' and other words? Doesn't your spellcheck kick in? If you're using a cheap-o program that doesn't have spellcheck, then get a better program. If you have it but ignore it, DON'T.
6. How can anyone lie "in" a floor? I understand there are colloquialisms but this one doesn't make sense and it really irks me. You lie 'on' the floor, unless you're melding into the wood because of an errant warp in the fabric of space....
7. Basic editing: you don't need 'of' when you jump off something, i.e. 'jump off a cliff', not 'jump off of a cliff.'
8. I wonder if the author has ever been on a motorcycle because driver and passenger can't chat when the cycle is humming down the road unless they have a helmet-to-helmet communication set-up. I know, I've been on a motorcycle and it's impossible to hear. I wonder if the author hasn't seen the Progressive insurance commercial where Flo and some biker dude miscommunicate because they're trying to talk between bikes.
9. There were places in the story that didn't have a natural progression, the story jumped from one moment and skips too far ahead, which throws off the pacing. It's fine not to write every single moment of the day, but if you jump huge chunks of time, you have to be careful to bring the readers with you.
10. The main character had two different names. Maybe she changed the name, but a global search and replace in Word would have avoided that. I do not know what free/cheap programs offer, but if they don't have a lot of writer friendly features, they aren't worth the price.
11. Basic dialog 101- you don't need a dialog tag every time a character speaks. Action can act as an identifier; i.e. Carol slammed the door. "I don't need your opinion." See? No tags.
12. When a character 'squeals' during intimate moments, I cringe. I want to ask the character, "What, are you ten years old???" It kills the moment, makes the character sound too juvenile for intimacy, and I wonder if the author has experienced an actual moment of intimacy.
13. There were moments when the main female character seemed too immature for YA; she felt more like a middle grader: squealing, constant snarking, etc.
14. The main character, a female, was always extreme- too whiny, too sarcastic, too dramatic. Again, this made the character seem not only immature, but shallow. I didn't see her her in a natural state and didn't feel close to her.
15. As an author, it's important to know how to use words correctly- like 'skeptically,' which doesn't mean quizzically, or confused which is what I think the author meant to convey. What's worse, is that this isn't an SAT word that few people know.
16. The phrase 'cross that bridge when we come to it' is something your grandmother or another older adult would say. Start hanging out with teens because their speech is different. The last thing they want is to sound like their parents or grandparents.
17. Only in the movie Deadpool do I love breaking the fourth wall- talking directly to the audience. It doesn't work in this book and she only did it twice, which makes it stick out even more. Just. Don't. If you aren't consistent and it doesn't fit the story- and especially if you're using it for an info dump, it screams amateur.
18. Like the winking, there is too much eye rolling by too many characters.
19. While the story has a setting in Texas, and the character may have a Southern drawl, use of the word 'ya' for 'you' is sometimes awkward. It fits with "Hi ya!" But, if you completely forget to use it in the second half of the book, I'm thinking you don't need it at all.
20. "Freaky deaky?" NO. Show me a teen that would use this phrase.
21. This is a love story- and yet I didn't feel the love. There were opportunities for kisses and if two characters believe they are destined to be joined forever, there would be more kissing, especially since who doesn't love to kiss the person they are so attracted to? They keep too much of a distance for me to buy the love aspect.
22. Repetitive behavior bores me and slows the pace. A character who constantly whines about things she already knows and has accepted drives me crazy. Can we move on to the threat she faces?
23. When a secondary character constantly steals the scene, sometimes it's fabulous. But not in this case. The secondary character felt like a bully, or one of those annoying people you know who have to be the center of attention even in situations where they don't belong. It disrupts the flow, distracts me from the problem at hand and I begin to hate that character.
24.  "Dad gummet?" Are you KIDDING ME? If you can use the word fuck, then you can say damn, or hell, or holy shit, etc. Really, grow up.
25. There was an instance or two where the action was to be in one place but somehow was in another. Maybe there was a wormhole?
26.  "Pulled the proverbial rug out from underneath." No teen in the universe would say this. Again, hang out with teens who live in an average city, town, or coffee shop and listen to them. I have a teen and from his speech, and that of his friends, guys and gals, I know none of them would ever use this phrase.
27. It's 'duct tape' not 'duck tape.'
28. Stepping out of character for an info dump, made worse by changing tense from past to present is grating on the nerves. I kept going back, thinking I missed a line, or that text got accidentally omitted. Just bad writing.
29. No excuse for missing punctuation; worse when it's numerous instances.
30. "How about them apples?" Did grandpa make an appearance, because it sure sounds like him. No, just worn out, dead cliches... Also, "good grief." NO.
31. If I have to tell you the difference between 'your' and 'you're' I feel you need basic remedial English.
32. When one character knows the other characters' thoughts, and it's not a psychic thing, NO. You're jumping from point of view to another, and it's awkward. (That's cheating, too.)
33. Same thing with forecasting; no one should know that the future is going to dramatically change unless they are doing/making a choice with that power. Just thinking, when you meet a new person for all of a few minutes, that your life is going to abruptly change I'm not buying unless there is a paranormal aspect. I met a new person at a book signing. Maybe my life will change in a dramatic way, but from chatting for a few minutes, I have no way of knowing. Also, this kills the surprise if/when something happens.
34. Dialog should feel natural; we don't talk in proper sentences all the time because dialog is immediate and personal and things can be omitted because we understand the flow of the speech, so when I read a line like "Are you to tell me you are afraid?" it just doesn't work, unless it's a stuffy intellectual speaking.
35. There are instances of telling, instead of showing, and usually at important moments. This waters down the impact.
36. A good writer knows the difference between commas and semicolons. Just saying.
37. "Both girls laughed at their silly antics that seemed to keep them same." There is no way this sentence works in the story because I don't recognize the speaker- the main character was speaking, but who is this?
38. When the formatting is wonky- too many spaces between chapter title and text, empty pages, sentences ending in the middle of the page, etc., it SCREAMS amateur. True, some mistakes can happen if you're doing the set up, so either review it before you release it, or pay someone to do the job right and then review it anyway. This really annoys readers.
39. If you don't know the difference between plurals and possessives, you are doomed.
40. If you don't know the difference between past and present tenses and when to use them, you are doomed.
41. Info dumps spell disaster.
42. Every time a character has a thought, it's easier to put it in italics, on a fresh line, indented, rather than tell me 'she thought' with no italics and mixed into regular text. It was so confusing because I would read and then at the end find out it was a thought, not dialog or description.
43. If you don't know when to use single and double quotes, you are doomed.

Okay, it sounds like I hated the book. The author had a pretty good plot and one main character I liked. The problem was all the above mistakes that ruined it for me. (And Amazon wants to know if I'd like to order book two now- No.) Maybe the author will learn and polish up her act. It's books like this that give Indie publishing a bad name. Not doing your homework, not reviewing and polishing until there are no basic mistakes. Not having a neutral person/group critique your story. NOT TAKING THE TIME. So no, I won't get book two although I would like to know what happened to the male main character. Usually I won't even finish the book when I run across so many mistakes, but I needed blog post material. Even in rough drafts, I would not have made most of these errors and if I did, I would correct them before letting anyone, even my critique group, see them. It's just sloppy writing.

I don't do reviews because even if I'm criticizing to be helpful, too many authors take it personally and then their friends/family/trolls threaten to ruin your life. I have a critique group and while no one wants to be told where and how many mistakes they made in their manuscript, we understand the role of the critique and the group and suck it up. Of course, that doesn't mean we won't slug down a glass of wine and cry about it to anyone who'll listen, but we listen and improve the manuscript. Honestly, I would be too embarrassed to submit a manuscript with all these problems, not that I have perfect manuscripts all the time, but compared to this one, I'm a freaking genius.

Review. Revise. Review. Revise (repeat about ten times more). And then ask others to rip your story apart (but not family and close friends because they will say, "Oh, I love it, it's perfect!" and really, it's not). Learn. Take writing classes. Critique other people's stories so you see mistakes in their work that you might miss in your own and learn to recognize problems.

Or, just publish as is and never get anywhere. That is the reality that is being an author.

Char

What I Hate About Writing

Yep, I'm going to rant. You know, writing's not the glamorous job people think it is. Here are the 5 Things I Hate Most About Writing:

Photo courtesy of Pexels, Mohamed Abdelgaffar

1. Microsoft Word and every other word processing program. They are written by geeks, and therefore, there are always glitches, or rather, stupid things that makes writers and other non-geeky people yank out their hair because IT MAKES NO SENSE. Take headers. You can insert them, but it isn't that simple if you want page numbers in a certain place and a different first page and a title. I have spent the last half hour trying to get the page numbers on my sci fi manuscript to make sense. Why does it stop halfway through the document and then start over? I did not click on a box for that. Grrrrrr. And EVERY PROGRAM IS DIFFERENT. I don't want to learn another stupid, doesn't-make-sense program. I won't live long enough.

2.  I hate when critiques give you completely opposite advice. "Cut this character." "I love this character!" "Less dialog." "More dialog." How can I reconcile all this? Granted, some opinions hold more weight, like from an editor or agent, versus someone who hasn't published their first book...but readers know good stuff (it's why only editors and academics like James Joyce....).

3.  I hate when I make revisions- and the manuscript is WORSE. Do I throw out both manuscripts and start over? Do I try to fix one of them? Uggghhhhhhhhhhhhhhhhhhh.

4.  I hate when I have an idea, and I get the story written, but someone (i.e. editor, agent, crit group) says "I loved the premise sooooo much! But not the rest of the story."  *Bangs head against wall.

5.  When I have too many ideas to ever write them all in my lifetime because I'm busy fighting with the damn word processing software or revisions. You really don't know what you're going to miss...

Okay. Rant over. But I still haven't figured out the stupid headers.

Char

Photo by bruce mars from Pexels 

Wahoo! I FINISHED #NANOWRIMO ON TIME!

I got behind (by a LOT) with visiting my sister, Thanksgiving, and other interruptions. BUT I DID IT. I buckled down and gave up reading, TV (except for my Patriots games) and even yoga and swimming. Sacrifices had to be made. (I'm paying for it now- going back to yoga was brutal.)

So as a treat to myself, I'm wimping out on my blog and am going to celebrate with a nice Christmas read (I'm a sucker for that stuff). I'm kind of burnt from writing, although I've made a list of plot and character problems with my NaNo book. In January I will start revisions (unless I get a mega book or movie deal from my other manuscripts. Hey, a girl can dream!).

Don't expect serious blogs for the rest of the year. I have lots going on with bell practice, cookie making, wrapping presents, and enjoying the holiday. 

Now excuse me while I dance and skip around a bit; I deserve it! 

Char

The task of querying agents is not only onerous, but it's almost soul-destroying; where else does a person set themselves up for multiple rejections- or just being ignored? Every artist, whether writer, illustrator, songwriter, singer, etc. faces this. It's hard keeping that stiff upper lip.

Just this past week though, I had the nicest rejection- (yes, you read that - rejection). Not only did the head of this literary agency write back to tell me no thank you and good luck (getting that much of response is rare. Nowadays it's "If you don't hear back from us, that's a no." Yeah, like we couldn't guess that), but she offered her thoughts. First she told me what she liked: the concept and the series potential. Then she told me what she didn't like: it moves too fast into the main premise, not giving her enough time to identify with my character, and that affected the voice. While it always hurts when either agents or editors say they don't like the 'voice' of the character, at least it gives me something to look at, to consider where I might make changes. The problem of moving too fast into the concept was the result of another professional telling me to 'get right into it.' Clearly these two have vastly different opinions. I'm going to go with the second opinion, and ease into the storyline. The concept of having that opening BANG! and the story starts, I believe, is wearing out. Readers, and industry professionals, seem to want more information about the character before we see their struggle. They kind of want to be friends first. While I have the issue of the voice to think over, I don't see a radical change. The character is a 14-year-old boy and their voice is generally different from girls (I have 3 boys so I know their mindset. Generally they are not drama queens or angsty, and not being either one myself, I can't write that voice. People like that usually annoy me anyway.).

So instead of licking my wounds over yet another rejection, I'm going to look at it that this senior agent saw the potential and that with some work (which I've already started), there's a future for this series.

In that spirit, I sent a personal thank you to the agent. It makes me wonder how often authors respond to her (or others) with a thank you for the sharing of their time and expertise. If an agent (or an editor) takes the time to do that for you, SEND a THANK YOU!

Now I'm off to read my character the riot act and get him in line-

Photo courtesy of Pexels/Pixaby

Keep writing and believing!

Char

Almost Halfway There...

Hey! If you're doing NaNoWriMo (National Novel Writing Month) you're almost halfway there! A little behind? A little ahead?

I'm on course, (unless I don't write anything today, then I'll be behind) but anything can happen. I've had book events on two weekends, so I brought notes and wrote in down times. I have family visits that will take me out of state, so I'll have to plan around that.

Suppose I don't finish....?

So what? I will keep going. I will get there, and that's the point: TO FINISH (even if it takes more than 30 days).

I've wandered away from my outline...

And? Is the story moving forward? Are you writing? Sometimes our mood, the characters, a sudden inspiration changes the course we plotted, kind of like a rogue wave or a sudden wind. If you like the direction (it's okay to be scared, racing through unknown waters scares all of us), stay with it. Isn't life about the journey, and not the destination?

My character is coming out different than what was in my head...

Your character is growing up, becoming their own person. This is a tough 'parenting' call when you have to let your babies go their own way versus where you want to send them. They may falter, even fail, or have terrible things happen to them; it's okay. That's life. If this child has become a stranger, talk to them and watch them, get to know them.

The plot is speeding by! I'm almost to the end of the story with no where else to go and I won't reach 50,000 words...

Whoa, slow down! It's okay to reach the end of your plot. You've got the bones. Now add a little flesh. Is your setting fully mapped out so that a reader will feel like they are on the street where the hit-and-run occurs? Will they feel the chill ill wind when they turn down that dark alley? What about the five (some argue six) senses? Does your character taste the bitter bile as they realize the horror of what they've done? Can they smell the sweet tartness of lemon cookies hot out of the oven at their grandmother's house? Go back to any chapter that seems thin and add some stuffing. No one likes a lean turkey on Thanksgiving, don't give them a skinny story.

I've lost my muse...

Maybe take a step back- spend a half hour, reading the last few chapters you've written, or maybe even the whole thing. Sometimes immersing yourself non-stop in the story helps you pick up the energy, the momentum, that you've lost. It's not easy starting, stopping, starting, stopping; it almost goes against our creativity. Don't despair, don't give up. If reading through doesn't spark some words, write a chapter about a character/setting/scene that won't end up in the story, like a flashback to a childhood incident, a terrible fire that spread through town, a confrontation that should have happened. Spread your wings. At best, it'll jump start you. At worst, maybe you have the seeds for a sequel or completely different story.

Now I must tend to my muse because where my story is headed? Well, I never saw that coming and I'm on the edge of my seat, waiting for my characters to finish their tale...

Keep writing! Keep Dreaming!

Char

A Small Thing, A Memory So Big

See this?

These are those cheap rings you get out of a gumball dispenser, or in a goody bag from a kid's birthday party. I don't know where my son got them, but he scooped up three and gave them to me as a present (wasn't a holiday or my birthday). He knew I liked sparkly jewelry. He thought he was giving me something precious.

And he was. It was a gift of love from his heart, as valuable as the dandelion bouquets he used to collect for me so many times during the summer and spring. All he saw was the beauty. When I look at them, I see his youthful innocence, hear his giggles, feel his tight hugs, and even smell the fresh scent of baby powder.

Memories like that are fodder not only for a story, but for a character. I have a novel, The Recalling, that is based on the memories a girl has for someone she lost. Suddenly finding a necklace stirs up those memories--good and bad. The story develops around those memories and the necklace.

Not just things, but our senses can revitalize memories. The smell of salt water makes my heart ache for the eastern end of Long Island where I grew up from seventh grade until my twenties. It brings back memories of going to beach parties, getting severely stung by a jelly fish (in the face), having my cousin spend summers with me, doing work around the old farmhouse my parents were restoring, and getting my first car. It also brings the sadness of the loss of five friends in car accidents, one the boyfriend about whom The Recalling is based on, my parents' divorce, and everyone in the family going separate ways.

The taste of homemade bread and apple pie returns me to our farmhouse kitchen when my mother baked. We had a fireplace in the kitchen, where the cat and dog would sleep in front toasty by the fire during blustery winter days, and where my mom would put bread on the mantle in a bowl to rise.

Songs and music evoke remembrances; the theme from Jaws gave me the chills (I lived on Long Island where the movie was supposedly set and sometimes there were shark sightings). Certain church songs bring me to tears because the music and verse are deep in meaning. And I will always rock out to classic songs like Bruce Springsteen's Born in the USA because I have to sing and dance with it, like it's in my DNA.

Use your memory or make up one for your characters. In my middle grade novel, even Jack the gray squirrel has memories of his brother being eaten by Fox, and his mother searching for food, but never coming home. These memories make him cautious and wary for danger. We are, in some ways, defined by our past; we want to hide it, or forget it, or relive it, or use it. Memories are snatches of our past. If characters are to be believable, they have to be more than a person doing something in the present. Characters have to have regrets and longings, fears and desires, motivations and inhibitions. Memories are Nature's way of keeping our past ever present and fluid, able to be summoned.

No matter the age, culture, situation, everyone (and it's believed that animals do too) has memories. It should be true for characters as well.

Char

Weather or not....

The wind raged at the trees and flag pole that dared stand fast. Cans and bottles were cast onto the driveway like dice rolling down a craps table. The rain, not to be outdone, battered the cans and bottles like a jazz drummer, keeping an oddly rhythmic beat. In the background, thunder accompanied the composition, and lightning set the stage.

I wrote this after standing outside yesterday during the storm (safely under my porch). This reminder about the ferocity of storms left me awed. I may use this in a book or story someday. It may inspire a story of its own.

Weather is one of those things that may get overlooked in novels. We're busy focusing on characters and plots and setting but I find that weather is rarely mentioned other than a brief one line about how hot it is, how a storm shook the windows, or rain hitting the roof. Let your characters be more than inconvenienced by getting soaked, or shivering because it's snowing. In my sci-fi novel, Lethal Dose, my main characters Dalen and Adara pass by a planet with black lightning which of course screws up all communications and electronics. In my middle grade fantasy Evolution Revolution: Simple Machines (debuting September!), weather plays a big part in the story; the animals are safe for several more days when the construction machines sent to clear their woods are trapped in mud after a horrific storm. Snow adds more complications because tracks gives the animals' locations away.

If your story takes place in Seattle, where most of the time it's rainy (I could never live there), repeated references to rain and drizzle and mist would get tiresome. But in Twilight, Bella tells Edward her favorite color is brown (like his eyes, gag), but also because everything is so green from the constant precipitation. It's understandable that one would get sick of so much green and that comment says it all.

As Mark Twain said, "Everyone talks about the weather but no one does anything about it." So mind the weather! And let's see how it impacts your story, your character, your plot, your mood.

I'll be sitting poolside because the summer heat baked the sunflowers to perfection; they stood, a deep golden yellow, almost too perfect to behold.

Char

Accept It, Use It, Work With It.

I'm not an angsty person. In high school, I didn't pine over a crush who didn't return my admiration, I didn't wail that I didn't get invited to the cool kids' parties, and I didn't sob when I didn't go to my prom. I don't do emotional slobber.

Maybe it's my industrious, stern German background. We didn't have all that much drama in our family; we tended to keep it to ourselves or behind closed doors. And it goes without saying that I don't like woeful, angsty books. Weepy females tick me off.

So when my agent says I need more emotion in a scene, I know she's right. I don't even argue, I revisit the scene and figure out where my cold-hearted writing needs to be humanized. Sometimes that's hard to do. This difficulty with emotion is a blessing when I'm asked to write a eulogy. I can write passionately about a passed loved one and smile through the recitation while everyone else cries deathinconsolably.

To make my scenes more heartfelt, I have to draw on personal experience, allow those repressed feelings to bubble up, and channel them into my writing. Recently, I lost my beloved Aunt Kay, my mother's sister who was in many ways, a second mother to me. With her sickness, hospitalization and then death, I was with the family, helping to support my cousins and uncle. For the most part, I stayed strong- because they needed me. But even now, almost a month later, I find it hard to 'let it go' and cry over my broken heart.

But thinking about her loss helped me feel a scene from my middle grade historical novel where a young boy loses a friend. It's during World War II, and the friend is a soldier in Hitler's army. Like with my aunt's illness, death and loss were hovering in the background, waiting for their opportunity.

I didn't add a lot of drama with the revision; my character, a 13-year-old boy named Tomas, of a sturdy Germanic family, isn't going to scream or pull his hair, or faint. He's going to be strong, like his parents and like the little soldier the Third Reich expects him to be.

But he can't. He throws himself into his mother's arms and cries, his whole body shaking.

That's it. That's the end of the chapter and that scene. For a boy trying to be stalwart during oppressive times, completely breaking down like that is expressing his grief.

Eventually, characters and people have to let loose, no matter how hard it is.

Char 
Clip art courtesy of Microsoft/Bing

.

Sprint to the Finish...

You're almost there!

To the end of the month. How's the novel revision going? Not quite as far as you thought you'd be?

Now's the time to dig down deep, as athletes say, and find that last bit of energy and determination to finish the job.

We all get a little sidetracked. Family happenings. life events, work, health, etc. I was derailed for over a week with the sickness, then death of a beloved aunt out of state. For two days afterward, I was still numb. When I tried to go back to my story, I remembered that I named a character after my aunt- and it was like a sign that I should go on, finish it not only for myself, but for her. Use any justification but get the work done.

You can do this. Even if you've only done a few chapters, keep going. This is your race, so you set the clock. Can't be done this month? Then take next month, and even the one after, but get it done! It won't ever go out on submission to an editor or agent sitting there unrevised on your desk.

I've finished one story, started then gave up on another, and now am working on a third. I had hoped to do four stories, but life happens. So it'll keep for next month. Always working on something is the key to achieving success because it won't just happen.

So put on your glasses, load up on tea or coffee and sit your butt in the chair.

I believe in you- you can do this!

Char  
Clip art courtesy of Bing/Microsoft

S.B.I.C. - Now!

If you've been to writing conferences, or network with other writers, you know what this means:

S.B.I.C. 

There are other variations:

G.B.I.C.
B.I.C.  

There might be others that I haven't heard, but these come to mind. Frequently. Like every day.

Sit Butt In Chair
Get Butt In Chair
Butt in Chair

They all mean the same thing:

Sit down and write.

Don't move from there until you've written something. Anything. Even if it's crap and you're positive you're going to delete it. (Chances are you probably will.) That's okay, because if you hone that idea, create that perfect scene, develop that character even just a bit, you've had success.

Writers write. For a real writer, there is no "Someday I'm going to write..." Those words are for dreamers and wannabees. As Yoda might say, "Dream not, do."

Writer Warriors, get ready for battle!

And when you win and have written more than a grocery list, reward yourself. I highly recommend a cookie.

Char