The Bestseller Dilemma

When I go on vacation, I take several books. This year, I took two from one of my favorite authors. I quickly read them. My cousin finished her book (only 1????) so we switched. There were several things that both books had in common:

Both were written by bestselling authors.

Both authors were world known.

Both authors wrote 30 books or more.

And they shared another aspect; the more famous the authors became, the less editing was done on their books. Both books had numerous repetitions; not just two, three times saying the same thing, but almost every chapter.

I find that so annoying. Being a bestseller shouldn't make you immune from good editing. What's required from new writers- conciseness- should be required from established authors. I have noticed this among other bestselling authors (no, I'm not going to name them and commit author suicide). It's like laws that the average citizen has to obey, but somehow politicians and the very rich think don't apply to them. Makes you mad, right?

I finished the books because one was a favorite author, and the other because I wanted to know the ending.

And after snorkeling, dancing, partyboating, dining, swimming, and sunning, what else was there to do?

Punta Cana, Dominican Republic

Till next time....

Char

Accept It, Use It, Work With It.

I'm not an angsty person. In high school, I didn't pine over a crush who didn't return my admiration, I didn't wail that I didn't get invited to the cool kids' parties, and I didn't sob when I didn't go to my prom. I don't do emotional slobber.

Maybe it's my industrious, stern German background. We didn't have all that much drama in our family; we tended to keep it to ourselves or behind closed doors. And it goes without saying that I don't like woeful, angsty books. Weepy females tick me off.

So when my agent says I need more emotion in a scene, I know she's right. I don't even argue, I revisit the scene and figure out where my cold-hearted writing needs to be humanized. Sometimes that's hard to do. This difficulty with emotion is a blessing when I'm asked to write a eulogy. I can write passionately about a passed loved one and smile through the recitation while everyone else cries deathinconsolably.

To make my scenes more heartfelt, I have to draw on personal experience, allow those repressed feelings to bubble up, and channel them into my writing. Recently, I lost my beloved Aunt Kay, my mother's sister who was in many ways, a second mother to me. With her sickness, hospitalization and then death, I was with the family, helping to support my cousins and uncle. For the most part, I stayed strong- because they needed me. But even now, almost a month later, I find it hard to 'let it go' and cry over my broken heart.

But thinking about her loss helped me feel a scene from my middle grade historical novel where a young boy loses a friend. It's during World War II, and the friend is a soldier in Hitler's army. Like with my aunt's illness, death and loss were hovering in the background, waiting for their opportunity.

I didn't add a lot of drama with the revision; my character, a 13-year-old boy named Tomas, of a sturdy Germanic family, isn't going to scream or pull his hair, or faint. He's going to be strong, like his parents and like the little soldier the Third Reich expects him to be.

But he can't. He throws himself into his mother's arms and cries, his whole body shaking.

That's it. That's the end of the chapter and that scene. For a boy trying to be stalwart during oppressive times, completely breaking down like that is expressing his grief.

Eventually, characters and people have to let loose, no matter how hard it is.

Char 
Clip art courtesy of Microsoft/Bing

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Tick, Tock, Countdown...

It's almost time! Although the 'official' start of our NaNoRevMo is next Monday, let's go through a few last minute things.

-You'll need to revise/reread your manuscript several times- but don't expect to do it multiple times in this month (only if you're on deadline, are stuck with nothing else to do, you have plans after the revision or you're quite adept at editing).

- When you sit down, do it in a workspace that encourages you to work hard: no too soft couches, no distracting noises (I can't work with music because I tend to sing along, and then the lyrics suggest other books, etc.) Make sure it's well lit, a comfortable temperature (but not too warm, it'll make you sleepy), you have space for all your resources like your theasaurus, coffee cup, etc.

-If you don't have to, don't answer the phone. There is nothing worse than being in the middle of a great thought and the phone rings for someone who wants to sell you something you don't need/want, or a friend/relative calling to chit chat. If it's your kid from school or someone else who you know most likely needs to talk to you, answer it- but jot down your thought first! It helps if you can tell your loved ones/friends that you'll be busy and could they call you after dinner or whatever hours you plan to work.

-Plan a schedule. Some of you have kids, like me. Some, jobs. Some, a sick relative. Whatever else you need time for, plan your editing around it- even if it's an hour while the kid is at sports practice as you sit in the car, or first thing in the morning before everyone is up. Find at least 1-2 golden hours total a day.

-There may be some days that you can't get any editing done. Like NaNoWriMo, don't beat yourself up! It took many writers years to write and perfect their drafts (and there still were changes), so unless you know aliens are coming next month to take you away and you want to leave the draft for your family to inherit, don't sweat it. It will get done in your good time. (But don't be a slacker! Don't give in to excuses like, 'I'm a little tired. I'll do twice as much tomorrow.' You don't want to get caught in the I'll-catch-up-eventually loop. A real writer can't rest until the job is done. Be one of those.

-You're going to have to cut up your baby. Be brave, be swift. Even when you have to lose scenes that you just love. (I'm still struggling with this- it's okay to cry and swear and throw a few pillows at the wall if it'll make you feel better. Usually it doesn't.) The goal is a polished novel, and like a gemologist, sometimes you have to sacrifice perfect bits so that the whole gem sparkles. And no, it never gets easier, but you somehow learn to do it and live with it.

-Take a break! Long periods of time sitting in a chair whether it's at Starbucks, your dining room table, the car, where ever, can make you stiff and drowsy. When you're pondering whether to kill a character, change settings, or even throw out a bunch of chapters, get up, get a drink, a snack, walk around. It may help you think, give your body an adrenalive boost. Never have everything at your fingertips.

-How do you work- on your laptop or the old fashioned way of pen and paper? I've done both, although for the first time through, I like the laptop. I fix the obvious- misspellings, format (centering of chapter titles and numbers, starting chapters halfway down page, etc.), obvious inconsistencies like when a character's name changes, and a general global search for those words I know I overuse, like 'just.' Then I move onto the paper and pen because it's slower, more deliberate (and I can take it anywhere- I can edit standing in line.) I find the mix of the two forces me to be more thorough.

-Stuck? Don't panic. Discuss it with someone (unless your relative/friend is an editor, agent, or fellow writer, find someone more neutral. No matter what, anyone with a close connection is probably going to like it. Trust me on this.). This is where a critique group helps (they can/should be brutally honest.) Or, make a list of possible solutions and see which one jumps out at you. Realize though, that you can't simply hopscotch over the problem and come back to it later because it's a domino effect- the problem gets bigger as your novel progresses. Fix it asap and let the rest of the manuscript fall into place.

-If the fat lady's singing... or simply if the book is not working- the characters are flat (fixable), the plot plods (fixable) or the dialogue is stilted (fixable) or the point of view jumps all over the place (fixable)- you can save the manuscript. But if you have a combination, most, or all of these problems, it might be the death knell for this book. There is not one successful author that doesn't have several novels sitting in a drawer or lighting the logs in the fireplace. It happens. Don't give up too easy- try to work through it by listing all the problems and then solutions. Attempt a resurrection, but if it doesn't work, kiss it goodbye and move onto that other idea that's been intruding at inappropriate times, keeping you from sleep or work.

-Don't even think of a 'book doctor' until you've attempted to fix it yourself. It's like calling in a carpenter to tighten a loose screw. If you become accustomed to relying on someone else to correct the flaws in your manuscript, you won't get valuable practice and experience, and if you ever sell your book to a traditional publisher, you won't be able to make the edits yourself. Plus, it'll cost you a fortune.

So get everything into place, read those books, make some notes (I know you've noticed some things needed fixing as you wrote the novel...). Maybe a chapter outline (one or two sentences per chapter) is a good starting point, so that if you have to cut out/add scenes, you can see how it might affect the subsequent chapters.

I'll be working on my time-travel YA romance. I've done one pass but I know it has a major flaw so that it reads as a collection of short stories. I need a better connector (I'm not using a time machine so I have to be real creative). Now that my belove New England Patriots didn't make the Super Bowl I won't waste time preparing for a big party and watching the game. This week I will be finishing my middle grade and my NA sci fi edits (again) so that I can focus on the time travel while we all edit together.

See you Monday, February 1st!

Char
All graphics courtesy of Microsoft, Inc.