Round 2: Don't Do This To Me...

 Ok, I've finished the book I was reading/critiquing. I'm happy to say that it did improve. BUT... still a few things to rant and whine about:

Photo by Andrea Piacquadio from Pexels

1. During a love scene, too many authors have their female characters make a 'mewling' noise. What the hell is that? Does she have cat DNA? There are groans, moans, grunts, gasps, whimpers, whines, murmurs, sighs, pants, gulps, and breaths. The Oxford American Thesaurus doesn't even list 'mewling' and Webster's Encyclopedic Unabridged Dictionary of the English Language lists 'mewl' as: "verb, the sound of a crying child." Soooo not what should be used in an adult love scene. Please authors, stop using it, it sounds wrong on multiple levels.

2. I understand there are regional and cultural trends for some words, like y'all for all of you, and some authors don't use swear words (after all, your mom or kids could be reading your work), BUT... don't use stupid words: freakadilly, freakadilly circus (really, you had to go there twice?) crapple, and Christmas on a cracker. And if your alpha male character uses them? I'm liking him a little less. If you can't use the milder 'damn' or 'hell' then be nebulous- "He swore" and save us the cringe. 

3. If a character, male or female, constantly lectures, I'm out of there. No one likes a nag. And to have a strong male character sit still for two or more pages of being lectured and nagged means he isn't so alpha. And, honestly, I think he's a twit. Who would stand for that? I love my parents, but I didn't listen to that much nagging. Ok, the character needs some tough love and brutal, honest words, but after a while, I wanted to tell the lecturer to shut up and look at her own life. She was sounding like a mother, not a lover. And life always comes down to learning the hard way; few of us learned our lessons by being lectured into a coma.

4. Even after a thorough lecture, what character or person has instant understanding of their psychological or emotional issues? If it were that easy, every person with an issue could go to someone to lecture them extensively and fix the problem. Self-realization. Takes. Time. 

5. This one issue irritates me not only because the author used it, but because she should know better: misused clichés. The saying is NOT "eat on me." It is "eat at me." Again, there may be regional or cultural differences, or even current slang that change a saying, but this one is just WRONG. 

I finished that book and went on to the next one. Here are two more things that irk me:

1. When I submitted a romance story, I had two editors tell me that the romance/attraction had to be immediate. 

No.

1- Many readers and authors, even other editors and agents, hate the 'insta love' aspect- falling in love immediately. I can see attraction, but I refuse to do it in the first chapter because I need to show readers who the main characters are; a little background, a little trouble in their life, etc. I refuse to have two characters meet in a dumb way- like the overused 'spills his coffee on her' trope. I need at least 2 chapters to set the scene. A great number of books don't get to the romance/meet/attraction for several chapters and that feels more 'organic' to use a cliché. Heck, even Cinderella and Snow White didn't meet their true loves for at least two or more chapters. 

2. Covers. I have heard many times that the cover should accurately reflect some aspect of the novel. Don't show me a cover with a guy/gal on the cover who doesn't look anything like the character described- wrong hair/skin color, or a setting that doesn't appear in the book, wrong dress for the era, etc. I feel like the publisher cheated; offered me something and pulled a switcheroo. 

Okay, I think I'm done with my criticisms, rants, whines, and desk poundings. 

Wishing you all sunshine, unicorns, world peace, and great hair days-

Char

No Resolutions, Just Goals

 The holidays are over. Back to business. Serious author business. I didn't make any resolutions, but like many, I've set goals. Here are my top 5 goals:

Photo by Suzy Hazelwood from Pexels

1. Get an agent. I'm scouring Query Tracker and my friend Kathy Temean's blog,  https://kathytemean.wordpress.com/. These two sources have the freshest info on the literary agent front.

2. A publisher is interested in a romance I wrote, so I'll be doing a serious R&R- revise and resubmit. This is probably my top priority. Even if I can get an agent, most likely I'll have finished any dealings, good or bad, with this publishing house.

3. Submit manuscripts out. While agents don't like to take on manuscripts that have been subbed around, no author can afford to sit around and wait for an agent. My first novel, Sirenz, was pubbed without an agent, and there was already an understanding for a sequel (or two) before an agent got involved. I have several novels so an agent can rep them if they don't want to touch the ones I've sent out. Time waits for no one.

4. Publish Sirenz 3: A New Trend. I need to review the manuscript one more time, then commission a cover. It WILL be pubbed this year. I've ignored this manuscript too long. I love Hades too much to let him languish.

5. Read more. While I'll still be writing MG and YA, I'm branching out into the friendlier world of romance. And while it's always been one of my favorite genres, I need to read more to see what's out there. I have been lax reading MG and YA too, but I think I should go full force into the romance genre because of the interest from the editor I've gotten for one book (which already has a sequel written and I have ideas for a series) and because I think there is more opportunity in this genre. 

So, goals, not resolutions. The difference? Goals are stepping stones to career and lifetime achievements. Yeah, everyone wants to get in better shape and lose weight, but I'm hiking and biking. When the YMCA fully opens, I can get back to swimming, so I'm taking care of that business. 

Today, I'll be reading The Dark Descent of Elizabeth Frankenstein by Kiersten White, and reviewing/revising my Frankenstein-ish novel The Frankenstein Vendetta. But after I make my bed and eat, I'll be hiking. 

What are your goals?

Char 

What Are You Trying to Write?

I not only host a critique group, but I do short critiques at SCBWI (Society of Children's Book Writers and Illustrators) conferences and one day critique events. I give and get critiques. No matter how successful the writer, a critique by an objective person is essential.

There were a lot of good stories, and I was glad to offer a few helpful comments. One thing I noticed some writers struggled with: English was not their native language- and it showed. Now English is a challenge even for those of us born speaking it. It has so many ridiculous rules:

Hoof (singular) but hooves (plural).

Okay, loaf to loaves. Got the hang of it?

WAIT.

Roof to roofs.

I mean, like, what the heck?

Don't get me started on the 'i before e, except after c' rule because that works only half the time:

weird
forfeit
albeit
glacier
seize

Photo courtesy of Burst, Pexels. 

These are just two of the many exceptions. There seems to always be an exception to every English grammar/spelling/writing rule. Then, there are the issues of slang, metaphors, and multiple word meanings. I do not envy anyone having to learn English.

And this brings us to writing in English, which is even harder than speaking it. There are a number of native English speakers who can't write well, but for the English-learning group, it must be a nightmare.

Here are a few tips for those who struggle:

1-  Read your work carefully. Sometimes reading aloud helps, and unbelievably, changing the font. I know that I read aloud passages in my manuscripts when something feels just a little bit 'off.' Your brain tends to interpret your writing, skipping over mistakes, because it knows what you meant to say. Many times I've read some text, only to find I've left out words like 'to, and, for' and others. My brain unconsciously supplied the missing word in my head, but when you read aloud, the tongue only says what's actually on the paper.

2- You need a native English speaker to read the story. Whether you have a critique partner or friend who can read your manuscript (before you start getting outside critiques or submitting) this is practically non-negotiable. My husband spoke only Italian until grade school and even by the time he was doing post grad work, his writing skills were affected by being a non-native English speaker. I would read over his papers and help him with spelling, grammar, and flow.

3- Use Word features, like global search to see if you overuse certain words. I'm guilty of overusing 'just'. (It's frightening how often it appears in rough drafts.) Do you see those colored squiggly lines appear in a sentence when you write? That's Word telling you something may be amiss. The program isn't always correct, especially for the use of commas and other punctuation, but let it draw your attention. Read the line aloud; does it still seem correct? There are other programs, like  grammarly.com. which check grammar usage, the most difficult part of writing, but also spelling and punctuation. There are other programs, some of which are free, so do your homework and see which one fits your needs. Even if you have to pay for a subscription, it's worth it and will in the end save you time, money, and frustration, not to mention that you don't want to build a rep among editors and agents for being a poor writer. (Word does get around.)

4- Consider a professional editor. This can be expensive, especially if your manuscripts need a heavy editing hand. I would recommend you go through the above steps first, to reduce as many issues as possible. Then, check around with other writer friends if they use editors, what's being said about them in reviews, and what comes up when you Google them.

5- Take writing courses. Check grammar and author websites for helpful writing links. Shop around. This is time-consuming research, but vital. I have a degrees in English and journalism but I took writing classes which specialized in writing for children. Writing a chapter, middle grade, or young adult book is very different from writing for adults or a job. You have to be conscious not only of writing well, but of language usage; for example, not using college level words that your intended younger audience won't understand.

If I wanted to write a book in Spanish, it would be an onerous task because it's not my native tongue and what I learned in high school is not enough to produce a professional, polished manuscript. I admire anyone who attempts to take on the challenge of writing in a learned tongue. You have to work harder, but if you want your manuscript to get serious consideration, you must take the extra steps because editors and agents will simply reject any work that will require extensive editing. They simply don't have the time, and with so many hopeful authors out there practically tossing novel drafts at them, there's no need. There is always a slush pile, open submissions periods, and agented writers to supply them.

Good luck!

Char 

Fate Calling....?

(It's summer, I'm writing and revising several books and I have surgery coming up so I'm doing a short blog post. Sorry, you'll have to deal with it.)

Why can't I get an agent or an editor to call?

(Save the vitriol- I'm a registered Independent, and this was a robo call.)


Char

In the Writer's Garden

Anyone who knows me or has read my social media know that I have a meditation garden, love flowers, and feel bad for weeds (which are just misplaced plants). Over the winter, a heavy snowfall  broke a tree in half (we discovered later that the inside of the tree was rotted).

It landed on the wire fence, so both had to be removed. Two weeks ago, the tree was cut down and just this past weekend, I fixed the fence. (Yes, I did.) Without that tree, more sun shines on the garden. I had worked around the shade, planting sun-loving flowers in pots or on the outside edges. Now half the garden stood in the glare of the sun.

Changes had to be made.

It reminded me of my novels. You start to build one way, but things happen- critiques, editor/agent comments, lost plot threads, etc. It requires major changes. Some plants could stay where they were, some had to be moved, and some were crushed by the tree guys. I needed to add full sun plants, move around statues and objects of interest. In my novels I've had to change endings, kill off some characters and add others, and I've had to revise/add/delete language. What results is the same garden (book) but it's different.

Here are the results:

The long view

A new addition - red grass

My black-eyed Susans blooming. They are a lustful bunch- all over the place!

Calendra - I love the pink and green

A burgundy dracenia spike

A bird house crafted by YMCA camp kids thanking me for my donation

No garden is complete without a gazing ball

I have a statue for each son - this is Alec, my animal lover

This is Thomas, my Harry Potter/avid reader fan

This is Collin, my gardening buddy (when he was younger and wanted to help)

The fixed fence (I do nice work). See my pretty blue chair?

I turned the stump into a pedestal 

The first time my lily bloomed! 

My cats love the garden too!

So that's where I've spent some time. I hope my novel looks and turns out as good as my garden. With both, I don't follow traditional rules- I don't like stuffy, formal gardens, but I don't like chaos either. Same with my books; I hate angst and stereotypical characters but I love books that touch me emotionally. 

Now to fix that novel...

Char 

Step Up!

It's THAT time- to step up your writing and/or illustrating. Time to register for the NJ Society of Children's Book Writers and Illustrators annual conference this June in New Brunswick! Here's the info:

Who's going to be there

What workshops are going on

Who's giving critiques

Where can I register

Ok, I've done the work for you- gathered all the info in nice, tidy links. Click and read, then click and sign up!

Unfortunately, I won't be there this year, my baby is graduating (!!!!) close to that date and then we have a number of family obligations. Sometimes, you just can do it all. So 5 quick tips:

1- Have fun! Don't make it all about work. There is a cocktail hour, there are chances to chat and mingle. Relax!

2- Network. What good is going to the conference with all these fab EDITORS AND AGENTS and you don't chat them up? (don't be pushy or obnoxious or you'll never get published). They are there all weekend and unless they're busy giving a critique or presentation (or in the bathroom), say hello ask them about their fave books, what they're looking for, or share a joke. (It helps to know a bit about them before you chat. Do your homework for the ones you really want to impress!)

3- Be considerate. Don't give out copies of your manuscript. That's what e-queries are for. You'll get that info from Cathy, your Reg. Adv. AFTER the conference.

4- Don't waste the opportunity! Query and submit to all agents and editors that are a GOOD FIT for your writing. If an editor hates sci fi, don't be the jerk that sends them a space story.

5- Make friends. These are the same authors that may be next to you at book signings when you get pubbed, they may have the same agent and/or editor, they may love you and buy your books... So be nice, professional, funny, sweet, irreverent, and chill.

I wish you all good luck!

Char

Embrace the Devastation...

If you know me well (or follow my blog and/or Facebook posts), you've heard about and seen my meditation garden. It looked like this:

I go there to work out plot problems on my novels, talk to God when something's on my mind, get some distance when I'm seriously angry, and just revel in getting my hands in the dirt as I plant flowers. My meditation garden makes me happy.

Two weeks ago (and I can't believe another storm is coming this way...), this happened:

The fence will have to be replaced (it's got a good buckle), and one tree will have to be cut down (it's split in half and will die). I saw the devastation and it broke my heart. But I will have to wait until spring before I can repair it.

In the meantime, I am working on my middle grade manuscript. It started out like this:

Pristine. Loved. Ready to go out- to the critique group. I knew there would be changes, some of them tough to accept. Working in my garden, sometimes I have to dig up a dying or dead plant that I loved.  I have to chop branches so trees are strong and healthy. I have to clear out leaves that clutter up and take the eyes away from the gentle green foliage. I have to make decisions which flowers will work well in the garden based on available sunlight, water, space, and hardiness.





Then the critiques from group members came in. Cut that sentence. This situation doesn't work. No one likes this character. The tension dies here. Chapter after chapter had been torn apart. No page had emerged unscathed. Beloved words would not survive. I pushed up my sleeves (really, I hate sleeves rubbing my elbows) and went to work. I sweated and (sometimes) swore, and used my tools (thesaurus, dictionary, research books, Google- and lots of chai lattes) to repair my manuscript. This is what my manuscript looks like after I finished.

But after pruning redundant words, digging out dead plot threads, combing through inconsistencies, I'm confident it will become ready to submit to editors and agents (it needs another read through, maybe ten). So while there's still snow on the ground, I'll work on the manuscript until it's finished. By then, spring will be in control and I can work on my garden (and meditate on a few choice words for Father Winter).

With the loss of one tree, more sunlight will fall on that space and I can add different flowers which couldn't tolerate the shade there previously. In my manuscript, the loss of words, phrases, pages, chapters- will allow me to add new things and improve it.

From devastation, something new.

Char

I Don't Like You... But That's Okay

Hannibal Lector, for all his suavity, refined artistic sensibilities, and excellent academic credentials, was a sadistic, sociopathic cannibal. Even though we don't like him, we're drawn to him. Throughout the movie Silence of the Lambs, almost everything we learn about him creeps us out. Scares us to death. Yet, we move in closer... We're fascinated.

Photo courtesy of Rene Asmussen at Pexels

Sid, the brutish kid from Toy Story who tortures toys, is unlikable. We cheer when he gets his comeuppance by Woody near the end. For all we can see, Sid has no redeeming qualities. (At least with Hannibal you could enjoy a good port and classical music before he sauteed you.)

Yet, in children's literature, for some reason, editors, agents, critique groups, and readers tell authors "I don't find your character likable."

Um, yeah. Gotta read the whole story. It kind of ruins the effect if it's 'insta-love' because that's not reality. Aren't there people it takes you time to warm up to? Maybe days, weeks, even years and some, never. Insta-like is for picture books and young readers who see the world as generally a happy place. If I say, "Well, halfway through the story, he saves someone and takes out the trash for his mom," people whine because they want to like the character faster. Even if the character becomes likable later in the story (as plot and details develop), it seems so many have to like a character immediately. Some you may never like- they remain evil or mean or nonredeemable (think Freddie Krueger, Mean Girls, the Predator, Samuel L. Jackson's character in Pulp Fiction.

The diversity of character personalities is what makes our world interesting. It's not a unicorn-stardust-candy world. There are dark spaces, and dark people. Surely if children's literature can discuss topics like bullying, racism, murder, sexual assault, and suicide, it can handle some characters we don't like. It feels hypocritical to tell an author, "make this girl nicer so I can like her" and the story is about a girl killing someone because she insulted her shoes. I will never like Hannibal, although I would be fascinated to read his life story. I read Helter Skelter in college. NOTHING could make me like Charles Manson. I understand he had a hard life, prostitute mother, etc. Still, NOTHING could make me like Charles Manson. My favorite character that I could never 'like' but yet who draws me in is Dexter. He's a serial killer. Yes, he hunts other serial killers, but he has no empathy (total sociopath), he butchers people into small pieces and dumps them in the ocean. He fakes actually liking people. And (spoiler alert!) he recognizes the same traits in his adopted children and begins grooming them. Who the heck would love a character like that?

Don't we owe it to our readers to show all the darkness? There will always be people we will never like and churning out books where everyone has a redeeming quality, or, even if they're not evil, is likable, is doing a disservice to those readers. Toddlers have pulled away from certain people who want to hug them; maybe they see a dark side to Uncle Tommy that we blind ourselves to. We have to stop putting filters on characters because the world is not a big kumbaya. If children are to see themselves in books, they need to see others in their real state- totally evil, partially evil, dark, twisted, mean, etc. Maybe by the end of the book if they still don't like the character, they will at least understand them.

You don't have to like me, but now you understand me a bit more.

Char

What I Leave Behind...

Hey, that sounds like a good book title.

It's the subject of this blog post. I'm not going to wax prosaically about my goals and hopes for the new year (I have to do that for my post on Smack Dab in the Middle blog so I'm not going to cheat and do it here too. Besides, more is learned looking both back and forward. Here's what I (happily in most cases) leave behind:

1. Politics. National, local, within groups, with family, with anything. Let's all move on.

2. Hurts. Whether physical - my knee and stomach- I've taken charge of my ailments and thankfully can say that I'm feeling better, emotional - I'm singing that "Let It Go" song a lot under my breath, professional - I'm following New England Patriots coach Bill Belichick's mantra: "We're onto the next game" or personal - not comparing myself, my achievements to anyone else. I have my own universe with many possible alternative paths.

3. Some manuscripts. Either the time is not right to revise them, or I'm simply not feeling it, they'll collect dust in the drawer. I'll move onto new projects which excite me and are a better use of my time. Who knows, maybe 50 years after my death a family member will discover them and I'll be hailed as a literary icon. (Hey, it could happen!)

4.  Stupid arguments with people who only want to argue, not seriously discuss a subject. I mean really, Deflategate was bogus and some NFL fans need to freaking move on. Trump is the president, work with what is, not what you wish was. NJ will always suck at reducing taxes, electing governors, and cleaning out corruption. There are so many more, but you know this.

5.  Things that don't fit. That means cleaning out the clothes closet and donating them, or drifting away from friends who are heading in opposite directions, getting out of organizations/groups that aren't beneficial anymore, and anything that wastes my time, like books that bore me, movies that I have no interest in, and doing things I don't want to do. You get the pic. Anything that doesn't fit only ends up hurting you.

Moving on is the theme. Next week, it's a fresh start. New list of possibilities. An open arena of experiences to try. A world full of people to meet.

Photo courtesy of Pexels.com 

Wishing you all the best for 2018-

Char

5 Random Tips About Querying Agents...

Re: mg fantasy query for Agent X

Yep, I'm still slogging along with the agent search. That's normal; very few people accept/get accepted by the first agent who responds. Being that this is my second time around, here are five random tips I've learned about querying agents:

1.  Make sure the agent handles what you write. Okay, they like and want middle grade sci fi, which you have at least one complete manuscript. But suppose you have an idea for a young adult historical fiction that you're really excited about- only the agent you're looking at or who responded doesn't do historical fiction? I foresee three choices: one, you forget about it because their guidelines specifically listed no historical fiction. Two, you write it and self publish. (I don't think this goes over very well with agents...). And third, you work on it and when you feel the time is write, break up with your agent and shop it around (but check with agent to make sure they haven't changed their minds. Or, they might not represent it, but will let someone in their agency handle it.). It's your call.

2. Read. Their. Submission. Guidelines. This seems like a no-brainer, but even wise authors make the mistake of 'skimming over' the guidelines. I've automatically assumed every agent wants a short bio, short synop, and the first 10 pages of the manuscript within the email, no attachments, and use the word 'query' in the subject line. Almost all the time, those are the basics. Recently though, I had one agent who asked for first 50 pages. Another wanted to know what was the last book I read, and what author influenced me the most, etc. Gotta read it ALL. Every time.

3. Even if agents say they always respond to every query, don't hold your breath (or become like Harry Potter in front of the Mirror of Erised, waiting...waiting...). Sometimes things happen and the agent can't keep that promise. You shouldn't put your life and writing on hold for someone who may never know you're at home, waiting in your prom dress, for a date that will never knock on the door. Keep sending queries out. Most won't acknowledge unless interested, only a few will send an automatic "we got the query" with the footnote not to bug them with follow-ups, and a very rare few send a personal email- eventually. Keep submitting to other agents. Life is short.

4. Make sure your short bio and concise synopsis are current. I recently sent out a query package only to realize the bio didn't have my latest book. (I'm still finding variations on my computer, social media and other websites that list my old agent.) Check. It. First. Before you attach/copy. If you can, have someone who knows you well read it. Also, make sure the manuscript sample is the correct number of pages; don't try to be sneaky and add more. The excuse 'you have to see how this chapter/situation/conflict ends' won't work. Sending more than they initially requested shows that you can't/won't take direction. And, I think it's more of a cliff hanger if you suddenly end on something like, "As the door creaked, she turned around and saw-" Saw what??? Your sample should be interesting enough to catch their attention. If not, revisions or submitting to another agent are called for.

5. Don't ask a friend who has an agent to 'recommend' you to theirs. Everyone who doesn't have a famous relative or their own fame has to go through this process. You have to do the work of querying. The information helps establish communication and interest. Your friend's agent may not be right for you, even if the agent repped 50 Shades and everyone wants to sign with them. Read agent and agency bios and/or meet them at a conference. Most of the time, there are no shortcuts in querying. So come join the rest of us and we'll slog through this together. First person to get an amazing agent buys the drinks.

Till then, keep querying.

Char

All's Well That Ends Well...

Here it is!

The final (actual) book in the Evolution Revolution series: Book 3, Simple Lessons.

It's been a whitewater rafting type of ride. So many ups- from working with a wonderful illustrator to seeing how beautiful all 3 books came out, to the downs- having to go it alone for books 2 & 3, and not being welcomed by bookstores, libraries, festivals, etc. because this series is Indie published. (Why not look at it and judge for yourself rather than dismiss it out-of-hand?) I'm both sad and glad to see the series completed.

I have one more secret about the book to reveal, but all in good time. (It should be available for ordering by the end of this week.)

Now I plan to concentrate on revising several manuscripts whose time I think has come. I'm still agent querying. My NaNoWriMo project needs to get a finished outline. I'm working on getting school visits for Jack and his story. In between, I have house projects to do and I want to spend time in my pool/yard.

If you could, post a review, give a little love, and to entice you, here's an inside pic of Jack showing off his newly learned science principles...

Don't you wonder what this squirrel is up to that he has to fight off a human?

See ya around-

Char

The Reviews Are...Not In

Reviews are important to an author, don't let anybody say they're not. They do help spread the word about a book. That doesn't mean only good reviews and tons of them are worthwhile. Here are 5 reasons why/how reviews are important:

1. Reviews in Goodreads, Amazon, and similar venues spread the word among readers, which are generally the lifeblood of author sales. 
2. Those reviews posted in Kirkus, Publishers Weekly, VOYA, School Library Journal, and similar publications are a way for a novel to get noticed by industry professionals: agents, publishers, librarians, booksellers, etc.
3. A review can be used on an author's blog, website, press release, even at the bottom of their email as a quick shout out to grab attention.
4. When applying to book festivals, library or store events, a quick review blurb, like "loved the whimsy!" by PW helps the organizer to decide whom to select and to publicize the event to draw in crowds.
5. When an author is a guest speaker, a glowing review from a well respected source, like PW or School Library Journal is used in the introduction: "PW called this novel a taut, well-paced thriller." This helps excite the audience to listen more closely than if the speaker said the author writes mysteries.

So if you can write a review, help an author out. Here are 5 tips to writing a review:

1. It doesn't have to be long. A few well thought out sentences are easier and more valuable than paragraphs.
2. Be precise; if you didn't like it, say why: "I thought the plot dragged" or "I don't like love triangles." This specificity will help others decide whether the book is for them and shows that you actually read the book.
3. Try to be balanced. It's okay if you didn't like the book, not every book will appeal to every writer, but say one nice thing so it doesn't look like all you want to do is a hatchet job. That might lead to suspicion that you're a fan of another author and are willing to diss any other book hoping to help your friend. It can be as simple as, "But I did like the descriptions of the setting; I felt like I was in that town" or "I loved the cover."
4. Even if it's months or years after the release, books are being evaluated by new readers and sometimes publishers will re-release the book with a new cover or added material. Plus, reviews are cumulative proof that the book merits attention.
5. Post your review where an author can see them. We need to know what's out there. While no author should respond to a bad review, if we see someone didn't like it because there are no dragons in the story, we have the opportunity, when someone mentions it (and someone will) that the story is set in 1920s Chicago, and there aren't supposed to be dragons. (Yes, sometimes people post reviews which don't make any sense, and therefore, we know they haven't read the book or are just being negative.) Likewise, if it's a positive review, we can use it in our PR material and we can link to your blog or website (thereby sending more readers your way). 

My final message: if you are a blogger, reviewer, published author, librarian, teacher, or someone in a position to do a review, please do it. It's hard enough writing the story, then trying to find someone to review it. 

And yes, I would like someone to review book 2 in my series, Evolution Revolution: Simple Plans. You can leave a comment or email me, and I'll get back to you. And thank you for taking the time! 

 

Char

Everything About Writing I Learned From...

Life.

Here are my 5 Rules about writing as taught to me by Life.

1. It's a job. Treat it with the respect, dedication, and seriousness that you would an outside-the-home job. That means putting in the hours, acting professionally in correspondence, and being mindful of who is out there reading, listening, watching...

2. There will be some people who will try to discourage, disparage, disagree, disapprove, disavow, disconcert, discredit, discriminate, disgrace, dishonor, disgust, disillusion, dislike, dismiss, disown, displace, disrupt, disrespect, disregard, dispute, distance, distort, distract, distress, distrust, and disturb you. Don't let them. Let them discover, discuss, and distinguish you. Your attitude should be pro YOU, but never at the expense of others, even if they are wrong.

3.  School never ends. Just because you got that B.A. or M.F.A. doesn't mean you're done. Did you know everything before moving out on your own? Getting married? Having a baby? Life changes and you've got to learn new things all the time. So too, with writing: latest trends, what editors are looking for, which agent would be the best fit, what to chop and revise, which POV works. etc. are things that you have to stay on top of.

4.  Copying isn't flattering-or legal. Don't try to be someone/something you're not. I love Sherrilyn Kenyon's, or Anne Rice's books, but copying them means denying my muse. Plus, it might invite a Cease and Desist Order. You want to leave your mark on the literary world-not hide in the shadow (however great) of others.

5.  You won't always win. Books get rejected or fail to sell, agents and editors cut you loose, reviewers tear you down. It's akin to getting sick, or fired, or breaking up. Bad things will happen, but life, and writing, go on. Keep going, don't quit.

Char

Ms. Book Manners Says...

Growing up, my mom read Miss Manners to me. She taught me where the salad, entree, shrimp, and dessert forks go. That knives should be placed with the cutting edge toward the plate. Cover your sneezes. Hold doors open for older people. Wrestle in the backyard. All kinds of manners.

Sadly so many people are lacking in basic manners because they are not taught them (unless you're from a royal or noble house it seems). There are some manners that authors in particular should learn and follow. I've learned these- some the hard way- and some I've added. If you think of any more, kindly let me know and I'll add them to the list.

1. When you send out a book for review, include a 'thank you' to the person for taking the time to do a review. Thank the blogger for featuring an interview, guest post, or giveaway. They are doing you a favor and deserve the simple courtesy.
2. If the review is bad, remember that they did not guarantee a good one. Don't comment. Yes, you're hurt, this is your baby. Run a marathon, eat a whole cake, yell at the couch. Commenting will only make the blogger defensive and give you a bad rep. Agents, editors, and any published writer will tell you: Don't do it.
3. With a giveaway, send a nice note to the winner. Just a simple 'thank you for your interest in my book, congratulations, and I hope you enjoy.' That's it. Don't pressure them to look at other books (but include a bookmark or other promotional items). This is good PR because you're thanking them without knowing their opinion (and don't ask them to get back to you; if they don't like your book, it will create awkwardness). By being pleasant beforehand, it may make them more predisposed to look favorably on your work.
4. Social media can be a booby trap. Keep it friendly but impersonal. (Hard lesson learned here: people will believe the best of themselves and the worst of everyone else.). Keep mentions to your book, fluffy llamas, wishing people happy birthday, and pictures of clouds that look like your favorite rock star. Even if you have a separate author and personal Facebook page, people hunting simply by your name will come upon both. It's doubtful you'll meet your next best friend or a significant other or agent (although it must have happened, but the odds are against it), so don't feel pressured to engage in politics or issues where people who are looking for an argument can force one.
5. Politely listen to the professionals: your agent, editor, publicist, illustrator or published mentor whether you have a contract with them, met them at a conference or simply asked their opinion. They got where they are because their opinion and knowledge is respected in the business. You don't have to like or agree with it. Arguing, getting defensive or refusing to consider advice (and yes, I struggle with this- I'm very emotional and strong-minded about my books), won't get you anything but dismissed. The editor for Sirenz (Flux), loved the concept! But only the first five chapters. We were advised to toss the last fifteen. Yup, three fourths of the book went into the garbage. And it was a good thing. We got published. I've made so many changes to my NA sci fi, some which I hated making, but I did them on the advice of my agent and editors- even though I never got offered a contract. It's sitting in a file on my hard drive... But not making the changes would have guaranteed it went nowhere, would have earned me the label of being 'difficult' and really, was rude to the editors and agent who spent so much time reading the book and thinking how to make it better. Take a break from it for a week, a month while you ponder.... Then suck it up.
6. Don't bash anyone- editor, agent, other author. Complain about how frustrated you are, sure, because the cat or dog will keep your secret. Never say anything about a person in public because while it seems the publishing world is big- word gets around. I know people who are 'blacklisted.' Editors and agents refuse to work with them. You do not want to be this person. Karma, baby, karma. And as Ms. Manners and your mother might have said: Keep your thoughts to yourself.
7. Distance yourself from other authors' fights/drama. It's different if you show support for someone who's being targeted, shamed, going through an illness, etc. If they're fighting with an agent, editor, publishing house, blogger etc., step away. You don't know all the details and how it will affect you. The same is true for their politics. What's popular today may not be tomorrow, and by taking sides, you alienate some readers.
8. Please support each other. You don't have to buy every book, or go to every event, but share their good news, tell others about it, and be happy for others' successes. Your turn will come and what goes around, comes around...
9. Share information. When you help a colleague or a debut author/illustrator, you help the book community, you build good relationships, and become known as a team player. Maybe you'll increase sales or get a school visit. Even if you don't, the good will is priceless.
10. Be respectful at conferences. Don't shove your manuscript at editors and agents or well-known authors and demand they read it. (I've heard tales of newbie authors shoving their novels under bathroom stall doors or under hotel room doors. Don't.) There should be a process to get a chance to talk to these people and get some feedback or the chance to submit your work via their guidelines, which it behooves you to read up on and follow. 
11. Always look professional at events. Your Kim K holey jeans, stained shirts, and ratty looking hair are turn offs. Editors and agents might be thinking that if you don't care about looking professional, will you care about how you represent the publishing house? Author events are not for you to show in-your-face style. Colored hair, character clothing, fun things are okay, but know where to draw the line. 
12. Please know when to. Shut. Up. I've been to events where authors drone on and on and on....ad nauseam. Not only do you bore your audience, but you alienate the other authors (really, it's annoying), you risk the moderator telling you to wrap it up in front of everyone embarrassing you, and possibly kill any return invites. Practice your presentation so you know if it needs to be cut. If you're on a panel, keep your answers short. People who are really interested in what you have to say can ask questions afterwards. People not making eye contact, checking their phone (or like me, writing this blog post as I sat bored beyond tears) are clearly not listening anymore. Take the hint and be polite enough to wrap it up.
13.  No one likes rejections. It feels like being told 'go away, you're not a good writer.' But that's not it at all; it's only a 'sorry, but I'm not interested.' Things will be okay; maybe not today or even this year, so don't do something stupid like criticize the editor (see Rule #6 again). I don't know of any author who didn't get rejected. You don't have to like rejections, but you have to accept them. Move on.
14. When waiting for a reply from an editor or agent about your manuscript, or trying to book an event, send no more than two followups. If they haven't answered after that, truly they aren't interested. Agents generally send a definitive yes or no, editors only if they're interested. I once got a reply from an editor that he wasn't interested in my manuscript two years after the initial query. Yeah, I got that feeling after 3 months. I submitted it elsewhere and it was published by someone else in the meantime. When sending a follow up, don't issue ultimatums: if you don't answer, I'll send it to Ms. Other Editor.' Be polite, not 'why haven't you responded, it's been a year!'  Send a brief email which references your book by title, a 1-2 sentence synopsis, when you sent the query/chapters/ms, and circumstances where they asked for it, like at the NJ SCBWI annual conference in June, 201X. Wait at least two months for the first follow up, two months for the second. And if you decide to send it out to other editors/agents after the first 30 days, there is no need to throw that at the editor. Don't spend your life waiting for someone to respond.
15. If you spam your friends and everyone you know with every little tidbit about your writing life, you're going to annoy them. You may even lose followers. Yes, announce when a new contract is signed, when a book will debut, about giveaways. That's sufficient.
16. If you're in the industry, use the industry standards. Never use a fancy font for the entire manuscript (I've used a different font to make text look like it was handwritten because in the story, the character found a note; that's acceptable).  Use Times New Roman or Courier, 12 pt., double-spaced, new chapters begin halfway down a clean page. Page numbers on the top right corner, title/author on top left corner. The first page should have author's name and info, genre, word count, title.

Treat your writing life as you would if you were working for a business. You may not be in this for money, but you should always act professional because for editors, agents, publicists, other authors, it is their business.

Talk soon,

Char

Playing Hooky

We all do it. Show me a person who hasn't played hooky from school, work, chores, problems, projects, or weather, and I'll tell you that they are either Type A people headed for an early heart attack or people who are just no fun.

Studies have proven that sometimes people think better, can resolve problems faster, and are more productive when they take a break. And nothing's more fun than an 'illegal' break.

My past weekend wasn't such a no-no; I visited my sister. Sure she's family and that's one of the things in life we should do- stay connected with family, but nowhere are we actively encouraged to brush off chores, dump family responsibilities on our spouse, (delay getting that manuscript to the agent, who's waiting for it...), and blow money on new sandals for spring, that cheesecake dessert we really didn't need, and an extra glass of wine.

But show me where it says we should take a stroll in the park, clean out closets, or meditate. Being bad (irresponsible) can just be so much fun sometimes.

And that's what everyone needs--to have fun. With all our family, personal, and professional responsibilities, stupid politicians bringing us to the brink of world war (again, because two times just weren't enough), clashes between varieties of people, and this sucky weather, we're all on edge. We need more than just a lousy 'breathe deep, let go of your inner tension' mantra. I was past the point of yoga.

So, play hooky. Giggle over stupid stuff. Channel your inner irreverence. Do a 'neener, neener, nee-ner'.

Be uplifted.

Char