To Boldly Go...

 Photo by Jens Johnsson from Pexels

In a new direction. 

(And yes, I know that's grammatically frowned on- split infinitives. It should be: Boldly, to go... or To go boldly.... Humor me).

First, I went to Home Depot and my library without a mask. I'm fully vaccinated and there weren't many people in the buildings. I felt like a rebel, or even one of those people who selfishly buck CDC guidelines. Even with relaxing guidelines, I still felt BOLD. 

My new writing direction is romances. I still have some sci fi, paranormal, young adult, new adult, and middle grade novels to be pubbed, but they are on a back burner for the time being. The reason for going with romance? It's one of the largest selling markets. Humans just love the idea of being in, falling in, and staying in love. That's reason enough to venture into this market. I'm as big a sap for a good love story as anyone. But another reason is there seems to be (so far) less politics. The companies that publish romances have such a broad base that there's room for everyone. I'm not saying that they shouldn't broaden their diversity- I'm just saying there's alot of room. And, it seems that so far (fingers crossed) celebrities are sticking to writing children's books. So while there are a LOT of romance authors, we don't have to worry about a celebrity stealing the spotlight and money that could benefit a number of authors for whom writing is their livelihood.

I'm hoping to hear from a publisher soon about the trilogy I've just finished. I'll keep you posted. Wish me luck.

In the meantime, wishing you all LOVE, in whatever form makes you happy-

Char

Top Five Reasons Not to Indie Publish

 You're thinking about going the Indie route. I hear ya; traditional publishing is almost completely closed without an agent, especially since all the writers conferences have been cancelled. Before you get all giddy about finally becoming a published author, here are the five reasons YOU SHOULDN'T INDIE PUBLISH:

Photo by Andrea Piacquadio from Pexels

1.  Crappy cover art. If you're not a tech whiz, or know anyone who can create an amazing ORIGINAL cover, then don't bother. Covers generate interest before the story, before any queries, before your name. Spend the time and/or money to get a great cover. Remember, if it was done by someone for free, generally it looks it. 

2.  Not enough or no editing. I've seen bestsellers from giant publishing houses with the occasional typo, wrong tense, time flub, etc. It happens. When these mistakes run all through your manuscript, it looks like you simply slapped that puppy on Amazon as soon as you could. If you did that with your manuscript when you were submitting to agents and/or editors, no wonder you're considering Indie publishing.

3.  "I'm going to make sooo much money!" Yeah. No. Does it happen? Once in a while, yes. I'm sure people can give me two or three names of mega successful Indie authors; I can show you ten thousand who didn't. Don't be fooled into thinking if you throw something up for $.99, that people won't care if it's not perfect and you'll make thousands because people want cheap. Hint: they don't care if they spend under a dollar or over $30; the book better be good or no one's buying it.

4. Your tagline (the 1-2 sentences giving the reader a short preview about your book) is better than the actual book. Anyone can write a sentence about a story- you have to live up to it. And if you don't, even if you give the book away for a promo, word will get around and no one will want it, even if it is free. Crap is crap and no one thinks it's a deal to get it for nothing.

5. It's soooo easy! Again, yeah, no. It's not. One simply doesn't write the story, pop on a cover, and put it up for sale (or at least, one shouldn't). Selling an Indie book is harder than a traditionally published book. While publishing houses are demanding more marketing by authors and cutting down what publicity they will help with (unless of course you're already famous), an Indie author-publisher has nothing. You will have to foot the bill for the free books you send to reviewers, to bloggers, as a promo, etc. You have to figure out how to get into book festivals and stores who generally want nothing to do with Indie authors. Indie authors are still pretty much the ugly, unwanted stepchild. There is nothing easy about going it alone so don't listen to anyone (especially a 'publisher' that will 'help' you for a fee....).

As a hybrid author (4 books with traditional publishers: Sirenz, Sirenz Back in Fashion, Blonde OPS, Beware the Little White Rabbit - anthology, 3 Indie pubbed)- Evolution Revolution trilogy: Simple Machines, Simple Plans, Simple Lessons) I can definitely tell you that traditional may be demanding as far as pleasing an editor who has a 'vision' for the book that you may not totally agree with, and a crazy deadline schedule, but more doors open for a traditionally pubbed author. I don't want to discourage you, but see above. If any of these apply to you, maybe you want to consider dental school.

I wrote this post because I got a free download of a book from an ad on Facebook. Indie book- she's doing her own marketing, good for her! Part of #5 is taken care of. The cover looked amazing. Yay! she conquered #1, I'm really interested! If I like the first one, I'll pay for the rest of the series! I don't know her motivation, so I can't speak for #3, but since she's done well so far, let's assume she's not just thinking moolah, but is dedicated to her creativity. Uh oh, snag. I hit problems with #2. The tagline drew me to the story, and initially, the manuscript lived up to the hype- for about half a chapter. With all the errors: spelling, grammar, timeline, and format (missing or misplaced words, sentences ending in the middle of the line and continuing on the next line), it just killed me. I liked the premise and I think this writer could have a good story if only she had spent the time reviewing, revising, and getting someone to give her honest advice. It would help considerably if she previewed the ebook before okaying it to go live. The mistakes were so frequent that I honestly can't finish the book. I'd like to know what happened to the characters, but not enough to waste my time grinding my teeth over all the mistakes. So she lost the sale of every sequel because of the first sloppy book.   

Do I feel bad? Not particularly. I spent so much time getting my illustrations and words and format on my Evolution Revolution series as perfect as I could (and still a few mistakes got through...) that I have no patience for anyone that lets that many mistakes go, brushing it off as possibly unimportant because it's 'about the story.' Don't kid yourself, it's about the total package. Maybe someone will review it and tell her and she'll get it. And no, I'm not going to name the book for the same reason I don't do reviews; no one thanks the messenger.

Char

My New Best Writing Buddy

Writers have many tools, some of which are like trusted friends: a thesaurus, a computer/laptop, Spellcheck...

I have found a new one that I just want to hug:

 
Yes, it's a book; not a new software program, or an app, or anything downloaded. I'm writing a story that travels through almost 400 years of history. I wanted to include both momentous and unnoteworthy historical events. Trying to Google history decade or year by year would have taken too long. I remembered my son had a book that traced history. Actually, he had two. Not only could I get all the basic information I needed on any time period or event in history quickly through the index, BUT! The one book, The Times, edited by Richard Overy, IT HAS A TIMELINE.

It shows all the events from 700 BC, from development of simple farming to creation of major works of art and music, to every war.  At a glance, I can scan all the continents and see what was happening at any one time across the globe. There are maps and diagrams and charts, too.

For a novel about time travel, or which spans decades, centuries, or several millennia, this book is a gold mine- even though it's old school. I'll bet it's even quicker and easier to use than any computer program or Google, too.

My son no longer wanted the books, so they go on my reference shelf, adored once more. I have a lot of plans for those two. Stay tuned.

Char

No Middle Ground to be Found...

I'll admit when I'm confused- and I'm confused.

I write middle grade novels. Like with any classification, there is always a murky middle ground; when something fits in between two categories, like middle grade books. What age is it for? I had always heard, and thought, that it was for grades 3-5ish. Young adult was for 6-12 depending on subject matter and student's reading level. But when I submitted my 'middle grade' series Evolution Revolution (Simple Machines, Simple Plans, Simple Lessons) which is based on the 3rd or 4th grade science curriculum (simple machines), I've been told that my books are "too young for middle grade." It seems publishers and editors have a different view of what middle grade reading is; they consider 6th-8th grade as middle grade, and 9th-12th as young adult. So where does that leave 3rd-5th graders? This group is past picture books, but not quite ready for a heftier novel. We need a new classification; maybe 'elementary reader'? While my books can be enjoyed by any age (hey, animals outsmarting humans without radioactive potions to make them super ninja turtles, so maybe it could happen...?) editors, agents, booksellers, publishers, distributors, schools, libraries, and even parents want an age classification.

I don't see any changes forthcoming, and opinions are so diverse that I guess I'm going to have to start the 'evolution' of book classification. Whenever anyone asks me what ages I write for, I'm going to say new adult, young adult and elementary. 

Let the evolution, or revolution, begin.

Char

Just a Quickie....

I'm in the midst of #NaNoWriMo2018 and happy to say I'm not only on track, but 4 days ahead. This allows me a stress-free Thanksgiving and a weekend visit with my sister. Here are 5 things I've learned this year during the craziness of NaNoWriMo:

1. I work faster and better if I shut myself in my office, working at a proper desk. There are too many distractions if I'm sitting on the couch (too near to the TV and people coming in & out, the fridge, etc. For me, isolation is key to productivity!
2. When I work on a comfy couch, being so tall, I have to dip my head to see the laptop. This has given me neck and back problems. Who needs that? So, another reason to use my beautiful office.
3. Stretch! I work about an hour, then get up and get a cup of tea, throw in a load of wash, etc. Sitting too long leads to stiff joints. 
4. Getting up is good for the circulation, but I don't want to lose my train of thought. make a few notes at the bottom of the page saying where I was going. As I do a chore, make that tea, I keep thinking about the next chapter/block of writing. By the time I get back to my seat, I'm fairly burning to get the words on paper. Bonus: if you can, incorporate your notes into the chapter/block rather than erase and you've added a bunch of words!
5. I had to break from writing because I needed a fact. Going onto the internet to find out what I need for this particular section of the manuscript can lead to getting lost down that rabbit hole. Key: set a timer so that you spend no more than 5-10 minutes searching. You just need that one fact, not pages of notes. If you need more detailed info, try to write around it, like a scene that comes later in the book, and research after you've hit your word count. I like to surf at night, on commercials while I relax in front of the TV. 

Now it's time to get in another 1,677 words so I stay ahead of the daily goals. 

Don't forget to update your word count!

Char

Laughter....

Laughter is the universal solvent; it dilutes and washes away hatred, bigotry, anger, and our differences. It creates a solution.


Use it more.

Char

The Word is the Word...

I'm going to give you a word. Just one. And with it, I will convey so much that I don't need other words to clarify or enhance it. Once you see this word, you will say, "Ahhhh!" and you will understand.

TEENAGERS

I know there are light bulbs going off. Comprehension and a wealth of emotions are zipping through your brain. You get me.

Now I want you to think of a word that conveys so much more than its dictionary or thesaurus label. Be fair, no famous people or other proper nouns. Let's see what you come up with...

Char

Here's That "In" You Need to Get Published...

So don't just sit there!

My good friend, Tanya Contois, is an editor at Hallowed Ink Press. And she's looking for writers, manuscripts, graphics...

This is your sign to send your work out (we can't come to your house to motivate you, sorry).

Here's the info you need: (READ IT- don't send silly questions to me or Tanya when the info is below. And if you're truly serious about submitting, you'll be professional and observe the rules of polite society. If I have to tell you what they are, you're not ready.)

Hallowed Ink Press is accepting queries for all YA and New Adult fiction.

We are currently open to all solicited and unsolicited submissions.

What we accept: All Young Adult and New Adult categories.
This includes; series fiction, stand-alone novels, novellas, poetry, short stories and graphic novels.

*We do take on the occasional pet project outside of these genres, but only if the writing is truly exceptional.

Currently Hallowed Ink Press is most interested in:
- Unique concepts that break through the current stereotypes in the market.
- Quality writing with strong character arcs and ‘fresh’ voices.

Be assured we will check all submissions, yet we are very selective. We try our very best to respond to every individual query; however, if you have not heard back from us within four weeks of your original submission, please understand that although we thank you for the chance to read your ideas, we have decided against your material.

Our goal is to build long-standing relationships with our readers and authors, and we are open to e-mails with any questions, comments, or suggestions you may have. Submissions@HallowedInkPress.com

Manuscript guidelines:

Please read guidelines below before submitting your work. (All information will be kept confidential)

YA & New Adult Fiction: 

Your query should include the working title, word count, your name, mailing address and phone number. (If pen name is being used, please include that information). We would like to see 1-3 paragraphs regarding your story and a one paragraph biography. Please do not attach a document with your initial query.

If chapters are requested (attachments allowed):
Preferred File Type: .doc, .docx or .rtf
Font Options: Times New Roman or Arial 12pt.
Formatting: .5 indents to first lines, no tab replacements.
Synopsis: 1 page
Subject Line: “Query: Title/Author Name”

Anthology Guidelines 

(attachments allowed): Anthology open calls will be posted here.
Font Options: Times New Roman 12pt.
Formatting: .5 indents to first lines, no tab replacements.
Subject Line: “____ Anthology: Author Name”
Length: We ask that no short stories exceed 15k words.

Novella Guidelines: 

We ask that all novellas either be stand-alone or connected to a series signed with us. Please note, we MAY choose to convert novellas to interactive iBooks as well as normal digital releases. We ask that all novellas be between 5k-35k words.
Font Options: Times New Roman or Arial 12pt.
Formatting: .5 indents to first lines, no tab replacements.
Subject Line: “Novella Query: Title/Author Name”  and queries can be sent to  submissions@hallowedinkpress.com.