Just a Quickie....

I'm in the midst of #NaNoWriMo2018 and happy to say I'm not only on track, but 4 days ahead. This allows me a stress-free Thanksgiving and a weekend visit with my sister. Here are 5 things I've learned this year during the craziness of NaNoWriMo:

1. I work faster and better if I shut myself in my office, working at a proper desk. There are too many distractions if I'm sitting on the couch (too near to the TV and people coming in & out, the fridge, etc. For me, isolation is key to productivity!
2. When I work on a comfy couch, being so tall, I have to dip my head to see the laptop. This has given me neck and back problems. Who needs that? So, another reason to use my beautiful office.
3. Stretch! I work about an hour, then get up and get a cup of tea, throw in a load of wash, etc. Sitting too long leads to stiff joints. 
4. Getting up is good for the circulation, but I don't want to lose my train of thought. make a few notes at the bottom of the page saying where I was going. As I do a chore, make that tea, I keep thinking about the next chapter/block of writing. By the time I get back to my seat, I'm fairly burning to get the words on paper. Bonus: if you can, incorporate your notes into the chapter/block rather than erase and you've added a bunch of words!
5. I had to break from writing because I needed a fact. Going onto the internet to find out what I need for this particular section of the manuscript can lead to getting lost down that rabbit hole. Key: set a timer so that you spend no more than 5-10 minutes searching. You just need that one fact, not pages of notes. If you need more detailed info, try to write around it, like a scene that comes later in the book, and research after you've hit your word count. I like to surf at night, on commercials while I relax in front of the TV. 

Now it's time to get in another 1,677 words so I stay ahead of the daily goals. 

Don't forget to update your word count!

Char

The Science of Fantasy

The best part about writing fantasy is that your brain can envision things that don't (or maybe shouldn't) exist: time travel, zombie apocalypses, aliens, ghosts, etc.

But that doesn't mean you can pull anything out of your tush and throw it on the page. There's a science to writing fantasy. Anything you write needs to sound if not plausible, then possible.

While Evolution Revolution: Simple Machines may seem like a sweet animal adventure story, there's a lot of science and research that went into the creation of this series.

Here's what sparked the idea:

That's my middle son's third grade science homework papers on simple machines. I saw it, and thought, ok, I remember this stuff, but really thought nothing more about it.

Until I saw a BBC special not long after about how squirrels were brilliant puzzle solvers when it came to scoring food. I also learned that female squirrels are smarter (ha ha to my boys who always think they're the smarter ones!), share what they learn, and learn from others. They don't give up until they've solved the puzzle--and get this: they can study a puzzle and figure out a short cut. They think.

Suppose...just suppose they started evolving intellectually...using human things...

Story idea!

But that was the easy part. What kind of squirrel should be in my story? How will he understand simple machines like the inclined plane or lever, and use them? For a 'simple' adventure story, there were a lot of questions that needed to be answered.

Research time.

First I read up on squirrels online and in the library. I had to answer questions like which squirrel species would work best? The answer is the common gray squirrel because they exist in so many countries and in urban, suburban, and rural areas and there was a lot of documentation of interaction with humans. What were they capable of, what physical limitations did they have? While they have dextrous paws with finger-like claws, they don't have a lot of strength so they can't actually manipulate large or difficult things. I collected newspaper stories about their exploits and the mayhem they instigated because my squirrel was going to cause a lot of trouble on his way to growing intellectually.

There are six simple machines- which meant one really long book to explain them all, which wouldn't work for a middle grade reader, or several books. Because there was so much information, I started a note/scrapbook. I collected humorous clippings and pictures of squirrels doing human things: water skiing, cartoons where they think like humans, etc. as fodder to help me write the story of how my main character, Jack, would get into situations and learn.

I almost always incorporate humor into my books, even horror stories. Seeing what squirrels were, and might be capable of doing, helped me to add levity into a story that had a lot of science. Evolution Revolution will teach kids about simple machines and conservation and evolution among other sciences just by reading Jack's story, but that doesn't mean it can't be fun to read. I didn't want it to sound like a textbook.

As any writer will tell you, ideas and problems to be solved in your story pop into your head. One of the big problems was language; how was Jack to understand human language? I made a list of words that Jack needed to learn so the story could be told:

Why does Jack need to know what toilet paper is? It relates to a funny bathroom scene. And while Jack can't speak the human words, he can understand them.

In the second book, Evolution Revolution: Simple Plans, I introduce new characters. One of them is a mynah bird. I needed a vehicle for Jack to communicate with his human friend, Collin, without magic or such. Jack is, and always will be, a normal, common gray squirrel like you find in your own backyard. The one concession I had to make was that different species communicated amongst each other. Fox taunts Jack, Beaver whines, and Owl encourages him. The mynah bird can repeat hundreds of human words. Mina (get it: Mina, mynah moe!) doesn't need to use proper grammar, only repeat words between Collin and Jack. But could such a bird, usually a pet in a cage, survive in the cold north? For that answer I had to reach out to mynah bird specialists. (There is a group devoted especially to them!) I emailed them and got my answer: escaped pet mynahs can survive in the northern US, and had for some time in southern Canada.

There were so many science questions that needed to be answered to write Jack's story. Yes, there is so much imagination in it, like animals working together to save another animal. A hop around the internet brings up stories about a lion saving a baby wildebeest from another lion, or an elephant trying to rescue a man that it thinks is drowning. Think about Koko, the gorilla who uses sign language, or the elephant that paints. Not such a far-fetched story anymore... Maybe animals are a lot smarter than we give them credit for and 'science' has to catch up to my imaginative tale...

Imagine the impossible- because it may be possible...

Char 

Look for Evolution Revolution: Simple Plans in January, 2017

The Process of Painting- Or Writing

So I took a little break from writing to paint the master bathroom, only as I slapped the paint on, I realized that painting and writing are very much alike.

To paint a room/write a book you have to follow the same steps:

1. Set Up The Space.
For the room that's being painted, that means remove furniture, pictures, and other stuff. If you can't remove a piece of furniture, push it into the middle of the room and cover. Vacuum the dust bunnies.

Before you write, you need a designated space. Whether it's the kitchen table, a nook in the basement, or a private office, you need to have a table, all your supplies nearby (laptop, pencils, paper, reference books, etc.) and a comfy chair. Tea and cat optional.

2. Do The Prep Work Before You Start.
In the room, that means sand the walls, spackle holes, caulk gaps around windows and molding.

For the writer, that means Research! Outline!

3. Use The Right Tools.
A cheap paint roller won't give a smooth finish, bargain paint won't last, and using a 1" brush to paint a wall will take forever. Using plastic 'drop cloths' is not smart because paint doesn't dry on plastic so you'll probably step into the drips and track it all over the place anyway. Use a canvas cloth to catch the drips.

When you're a dedicated author, don't use a free word processing program just because it's free, it has to offer the features you need. A paperback thesaurus will give you more information than the one in a word processing program. Cheap pens skip and you'll need a ton of them so get a better grade.

4. Consult The Pros 
You're not an expert on paint; that's okay. That's why there are friendly people at the paint store who can answer questions, point you to what works for your project. Pick their brains. Read a How-To book (Is there a 'Painting for Dummies' book? Always good for learning the basics.)

Just because you wrote poetry or newspaper articles or even have been published, expert advice should always be welcome. Going into a new genre? Get informed. Writer's Digest, a class, a conference worshop- all great venues for sharpening your skills. But just like some schmo in Home Depot, beware of those who hold themselves out to be experts--and aren't. (I've gotten bad advice from people who think they knew more about paint than me.)

5. The First Effort Is Just That- The First
Usually walls should be primed then painted, but with the new paints, it's primer and paint in one so it saves you a step. But don't make the mistake of thinking you'll get away with one coat. Guaranteed there will be 'holes' in the coverage (they're called holidays by pros). Just accept that you'll need a second coat.

Writing is the same. Don't ever think that you write it and you're done. Nuh uh, no way Jose, are you crazy? Unlike painting a room where two coats will work, writing will require multiple reviews, revisions, and rewrites. You'll get a room painted sooner than you'll have a polished manuscript.

6. Stop and Fix the BIG Problems 
You're painting when suddenly you notice that there's a dent in the wall that you somehow missed.  Maybe the color looks way different than you thought and you don't like it, but you're halfway done. The paint isn't going on smoothly. You could keep on painting, but it will be obvious there's a problem. STOP. There's no sense completing the job with such a major flaw. Fix it now before the whole thing gets out of hand, even if it means starting over.

Your plot dead ends. No one like your characters. You're telling, not showing. There could be any number of problems- all you know is that it's not working. Unless you're doing NaNoWriMo, STOP. No sense completing the book with a major flaw. It's easier at this point to analyze the problem, make notes on how to fix it, then fix it.

7. Add The Final Touches 
Now that your room is freshly painted, it's time to add those things that add punch: new pillows, brightly colored drapes, interesting textures on bed, floor, walls. These are the details that add pop.

In a manuscript, the final touches are the title, specific details on setting, character quirks, showing not telling, matching your tenses, substituting action verbs for passive ones. It's the little things like these that give your story a wow factor.

If you think you can't paint a room but you can write a novel, or can paint a room but can't write a novel, you're wrong. You can do both because they follow the same process.

Time to go back to writing; I'm in the middle of prep work for this new project-outlining so I know where the story is going and I can control it. Maybe next week I'll paint the bedroom.

Stay tuned-

Char 
(the color of my name above is almost the same color I've done the bathroom- 'young pumpkin')

Creating Truthful Fiction

If you're novel tells me the green sun is shining brightly, I'll believe it- as long as the setting is a dream, an apocalyptic moment, an alternate universe, or an alien planet. Even fiction has to tell the truth if you want people to believe it. (Ever hear the saying 'Truth is stranger than fiction'?)

This is especially true in crime fiction. Oh, there are books out there that s--t--r--e--t--c--h the boundaries of believability and most of the time it's obvious. From my presentation at the NJ SCBWI annual conference, here are the tips I offered:

1. Read crime novels; get a feel for how they set up the crime, discovery, evidence and resolution, the pacing, the twists.

2. Look at crime scene photos in no-fiction accounts of crimes like Helter Skelter, Fatal Vision, and The Stranger Beside Me, the Story of Ted Bundy. Watch true crime specials on Discovery, Investigation Discovery, Smithsonian and American History channels.

3. Plan the crime from the start- from the first thought of the evil deed to the resolution (arrest/jail/death). You may not use all the info, but it will help you stay on track. Plus, you as the author, can't be as surprised as the rest of us when the perpetrator is revealed.

4. Use specific and numerous details. The smallest clues can lead to discovery of solving the case. While some clues like fingerprints do help solve crimes (if the fingerprints are in the fingerprint database), it's not always the case. Son of Sam was caught because of a parking ticket. No clue is too minute.

5. Be imaginative! Create clues, i.e. the single pink-blonde hair on Bec's computer in Blonde OPS. (Sorry, you'll have to read the book to find out what the deal is.)

6. Learn what doesn't work. A well-known author had a 16-year-old posing as an insurance agent. Hmmmm, that's a stretch, but let's go with it- makeup, wig, etc. The owner of a 15 carat priceless emerald asks said 'insurance agent' if she wants to hold the gem. This is waaaay too convenient for the story and what the 'agent' plans to do. No one in their mind would ask a stranger if they wanted to hold something of theirs that was so valuable it had no price. Then, said 'agent' drops the emerald in order to kick it away to steal it. That's called cheating to make the story go the way you want it. A crime scene cannot be written around what you want other characters to do unless the character has a routine, habit or gets into a situation created to elicit a specific response. Disabling a car so they would have to call a cab is perfectly legit; the 'he suddenly decided to leave the Rolls Royce and take a cab that evening' is a total cheat.

7. Get the facts RIGHT! If you drop a 15 carat emerald on a bare or hard floor, it will shatter; they are soft stones. Someone didn't check their facts or learn about emeralds. (I've cracked an emerald, this is how I know.)  Even in sci fi and fantasy, there are certain aspects that are always true, like the laws of physics. Cheating to help make it easy to write your story is not allowed.

8. You'll know you're doing the right research if you get a notification from the FBI, Homeland Security, etc. and they shut down your browser. Here's me showing the class my notification:

9. Don't be obvious! The butler can do it, but wouldn't you rather have a fresh suspect? Or at least a single, overlooked-by-others clue that points out the perp? And if we can guess too soon who the perp is, it means you've rushed the scene, cheated on red herrings and misdirection, or didn't give your readers credit for seeing through a thin plot. Unless you are writing a non-fic account that is straightforward and we already know who did it, keep it a mystery. Even then, it's a process filled with errors and presumptions until all the pieces are assemble. Ask any detective- until the end, you're not really sure. Here is my co-presenter, forensic crime scene detective Guy Olivieri demonstrating, based on a true case, how the clues didn't always seem to fit:

10. Learn basic police procedures and those specific to your city/state/country because laws vary. New Jersey is a state, Pennsylvania is a commonwealth; their justice systems/procedures might be very different.

11.  Your crime scene doesn't have to have happened in reality, but it has to be possible. Think of Mission: Impossible weapons or the car stealing scene by computer in Blonde OPS. Experts can help you put in enough details to make it believable, but not make you an accomplice.

Finally, some resources to think about:

*The library. You can get a lot off the internet, but don't be lazy. There are numerous books that might have the details you need--like a book of poisons and famous murder cases, the details of CSI work, etc. Your reference librarian is a goldmine. And they love a challenge. Plus, looking at a book in the library won't get you flagged like online searches can...

*Google Earth. Walk down the street, swim in the lake, look across the way via Google Earth. It allows you to get minute details that make your novel believable because someone will say, "I've been there, it looks just like you described!" Unless, of course, your editor will fly you to where ever your crime scene is to personally note the details.

*Your local, state, and federal government agencies. Chances are any governmental agency will have a public liaison or a PR officer to handle information requests. The best: get friendly to an actual cop or agent.

*Writer's Digest. This professional organization has a library of How To books: writing crime, mysteries, all about weapons, etc. And they are a reliable, verifiable source.

*University and college professors. Chances are you're not too far from a college. Those professors, associate professors love to share their knowledge (that's why they're teachers....). Glean what ever info you need from them (and it's always nice to thank them in your dedication/acknowledgment and also with a thank you email/letter.).

*Professional organizations. Sometimes they'll answer, sometimes not, but you should always try. Some you might need to be a member, but it may be easier than doing all the digging yourself:

 -Mystery Writers of America

 -American Bar Association

 -International Assoc of Crime Writers

 -Sisters in Crime

Don't overlook other orgs that fit the situation; if your character was a member of a club or group, like the American Medical Association, the Lions Club, or whatever, they can help you out.

Finally, no one not associated with a case should have access to the crime scene- Guy says this is so TV/Hollywood, so no "Murder She Wrote" because that just ain't happening.

See you soon- but hopefully not in a lineup-

Char 

This Is Not Your Average Library!

I have library envy. The good part is that this is MY library. And yours. It belongs to the American People. It is the Library of Congress. Look at this fabulousness! I will stack it up against ANY library in the world!

(All photos courtesy of the Library of Congress, Prints and Photographs Division, photographs by Carol M. Highsmith. Above Photo reproduction number: LC-DIG-highsm-01908)

Is that not breathtaking? Psst, wait until you see this!

                                                                                           (LC-DIG-highsm-01925)

Yes, there is a fountain! (Makes me want to jump in on a sunny day! I'm sure some Washingtonians felt the same way!)

Let's go inside. Did you know that the Library of Congress has sculptured bronze doors, marble columns and bas reliefs, stained glass windows, painted cantilevered ceilings, grand staircases,, murals depicting myriad subjects like printing, zoology, etc, Pompeiian panels of the virtues like courage and fortitude, renderings of Greek mythology like the Muses (a favorite!) and bronze statues?

                                                                                                                          (LC-DIG-highsm-01785)

A marbled staircase...

 

                                                                                           (LC-DIG-highsm-01961)

Imagine the grand entrance you could make here! Note all the carvings and sculptures. Then, there's this:

                                                                                                                         (LC-DIG-highsm-03187)

This is an aerial view of the Main Reading Room. You are surrounded by priceless art, history, knowledge. How could anyone NOT be inspired?! Let's go see more books! 

                                                                                                                          (LC-DIG-highsm-02098)

Wonder where they have Sirenz? 

                                                                                                                          (LC-DIG-highsm-03194)

This is the African-Middle Eastern Reading Room. One of just so many...

But it's more than just a beautiful place- these librarians are masters at their craft- all forms of knowledge and its safekeeping. Need to find an obscure article? Have to find a photo? Question about a book? These are the people to go to:

www.loc.gov

If the world's population perished, except me of course, this is where I'd head too. (First raiding every Starbucks on the way for Chai Latte supplies.) It would be a writer/reader's dream. 

So check it out! Visit! Surf its site! Ask a question! Get the best research help in the world! This is the People's Library.

Char