Showing posts with label publicist. Show all posts
Showing posts with label publicist. Show all posts

Tuesday, December 12, 2017

I.C.E. for Authors and Artists

Like the Ghost of Christmas Future, the specter of death will someday visit us. I know, gruesome thought, but we are all of this mortal coil. And no, this is not an attempt to sell you life insurance, or donate your body to science (although that would be cool).

Everyone should have an ICE folder; In Case of Emergency. Many people, including me, have a folder I can grab as I exit. I've notified everyone in the immediate family where it is (not that they'll remember). It contains the necessary vital info: financials, important documents, phone numbers of family, doctor, schools, accountant, lawyer, pastor.

If you died, or became incapacitated, you may have set guidelines for your physical body, but what about your body of work? Here are 6 things you need to consider:

Who will contact your agent in the event of the worst kind? Whoever will be handling your affairs needs to know the name, address, phone number and agency (in case the agent has moved on). Keep this important info with your other legal documents. The same holds true for a publicist.,

What about your editor? If you're in the midst of a rewrite, or launch, they need to be notified so they can take the appropriate action. (You might want to check your contract to see what it says- it's possible that any advance might have to be repaid if the book isn't finished. Leave a copy with the other legal documents for reference.)

Authors have many business contacts- conference/workshop/store hosts, etc. who will need to be contacted immediately that you won't be attending. Always leave numbers and names of contacts for such events in a handy place (on the refrigerator?). And don't forget, that if you're going the Indie route by CreateSpace, Smashwords, or other vehicle, they will need to be notified. However, a death certificate and possibly a Power of Attorney or other legal document giving you authorization may be required to cancel or access accounts.

Your actual works- have you decided what is to become of them? Will they die with you? Even if you aren't published, that doesn't mean that they never can be. You could leave them to someone to publish after your death. I made my sister my 'artistic' beneficiary, with the expressed hopes that even if she went Indie just for the family, that certain manuscripts would be published (notably my Evolution Revolution series, but that's pubbed now, so I have to update my 'wish list.') Or, you could designate that they remain part of the estate and stay within the family to pass down. Just make a provision for your work like you would your jewelry. No matter what, put it in writing; it's best if it's part of a legal Will, with a copy of any provisions about your works, sent to whomever will handle  your artistic matters. You should consult a lawyer about specifics; this is only an advisory to seek proper legal protection.

Maybe someone shares your passion for literature. They might be the perfect person to handle your author affairs. Again, I designated my sister not only because she's one of my biggest fans, but because she understands the importance of my wishes for my works. Lawyers won't get involved in that unless there is a contract for a film, TV series, licensing, etc.

Finally, (and I shouldn't even have to mention it), but make sure there are copies of your work in secure places. What good is it if everything is on a flash drive, but it's in your desk drawer and your house burns down? What good if you have multiple copies on your laptop, but it's stolen? You could store it in the cloud (after the leaking of Hollywood celeb pics, I'm not too sold on cloud security), but there are other formats to save your work, rather than bulky, vulnerable paper copies. (One cheap way is to email it to at least 2 accounts. Make sure someone you trust has the password, or you leave it with your other important documents.) A list of where all your works are will ensure that they are protected.

As a former paralegal specializing in Estates and Trusts, I've seen too many examples (even in my own family) of messy estates where assets were fought over, stolen, or neglected because there were no binding legal guidelines. People felt uncomfortable talking about final disposition of their assets. If you don't decide what happens with your property, the state will (and each state is different, so don't depend on a verbal discussion you had with someone at some time, in another state, etc. See how confusing it can become?). Even if you make a simple list and make the direct people involved aware of your wishes, it can go a long way toward guaranteeing that your manuscript babies are provided for.

Photo courtesy of Pexels.com


Char

Monday, May 22, 2017

Blurb, Blurb, Blurb...

Congratulations! Someone asked you to write a blurb for their novel.

After reading the book, it doesn't feel like an honor anymore, it feels like a trap.

Because you don't like the book.

You don't want to insult the author/friend with an honest "I didn't like it" tag, nor do you want to lie "I loved it!"

Sticky situation, yes, but it doesn't have to be, you're getting yourself worked up for nothing. You don't have to say you loved it, or even liked it. You are not required to mention the love triangle would bore your 90-year-old Puritan grandmother, or the over-description slowed the pace so much a snail was Indy 500 worthy in comparison. Nowhere are there rules for writing blurbs- except one: it has to come from the heart. Seems like a conundrum?



Consider this: "Fashion, witty prose, intrigue, and action- Blonde OPS has it all!" Author/publisher/ friend Shannon Delany wrote this blurb. Does it tell you if she absolutely adored it? No. Couldn't put it down? Nope. Had to create a fan club or she'd die? No way. What Delany does is tell you what the novel has: fashion, witty prose, intrigue, and action (all true). Those key words alone should help the reader decide if they want to read it. Using my own books as illustration (lest there be any misunderstanding about how wonderful everyone else's book is), here is the review for Sirenz Back in Fashion from Booklist: "The experiences of this sartorial odd couple are funny and entertaining... Bennardo and Zaman are bringing the gods into the twenty-first century." What a great review, right?


Well, kind of. Booklist was middle of the road; it liked some aspects, didn't like others. Those ellipses means there are other words in between the quotes. When using a not-starred review, authors, publishers, agents, and publicists put a positive spin on it by kind of hopping over the not-so-nice parts.

That's how you have to think- compartmentalize. List what you liked about the story; it could be that it's sci fi, that it has a dragon, that there is a tender romance. A few choice words are all that is needed. If I was asked to blurb Game of Thrones, which after three years I still haven't finished the first book because it's so dense, here's what I would say: "Rich and vivid description, deadly royal intrigue, and a diverse cast of villainy, Game of Thrones will keep you wondering who's next to die..." All that is true. And really, I constantly wondered who was the next corpse. Nowhere do I say I love it, or that you should spend your money on the books. Readers have to decide that for themselves. Perusing a few pages will tell them if it's something they would like.

So don't fret if someone asks you to do a blurb. You won't commit a mortal sin by helping an author out with a few words, even if you don't like the story. Blurbs are important because it may draw a potential reader in when they glance at the back cover. With so many books out there, decisions have to be made where to spend limited money. Books without a blurb may leave the impression that they aren't 'good' because no one will endorse them. Celebrities and well-known authors have no trouble getting blurbs. For a mid-list or debut author without connections, it's a struggle. I have seven books (soon eight) with my name on them and getting blurbs from the writing community is a nightmare (and I don't know any celebs) because they are afraid to commit.

Blurbs are an important starting point to book success. If you can help bring a reader to a book, it's the author's job to keep them in. Please say yes and gift the author with a few well-chosen words.

Char


Monday, July 18, 2016

And The Winner Is... Maybe...

Well, I've tallied the results of my un-official survey about my new author photo. Clearly, most people liked #1 for my Facebook photo.


Reasons cited was because it was more friendly, showed my playful side.

The second most popular is a tie between #2:



And #3:


And #6:


And #10:



Surprisingly, the most popular choice for my book photo is the black and white:



My publicist likes this one too.

In second place was #7:


And close behind was #6:


So, I'll post #1 as my new Facebook photo (because my public demands it). I'll see what the publisher's requirements are for the author pic and get back to you. Or maybe I should leave it as a surprise (buy the book? Get your library to buy it? Ask to borrow a friend's copy?)

Thanks all for your thoughtful consideration.

Next... Suzy's blog post about how to take a successful author photo. Then... Cover reveal! (I hope).

Char

Monday, May 2, 2016

Meet The Team!

T! E! A! M! Goooooo Team!

Now that all the contracts are signed, here's the team I'm hoping will make my middle grade adventure series a winner:

My Agent:

Natalie M. Lakosil is an agent at the Bradford Literary Agency. An honors graduate of the University of San Diego, California, Natalie holds a B.A. in Literature/Writing. After nearly four years at the Sandra Dijkstra Literary Agency and a brief dabble in writing author profiles and book reviews for the San Diego Union Tribune, Natalie joined the Bradford Agency in February of 2011.

Natalie is drawn to talented, hard-working new authors with a fresh, unique voice and hook. Her specialties are children’s literature (from picture book through teen and New Adult), romance (contemporary and historical), cozy mystery/crime, upmarket (literary and commercial blend) women’s/general fiction and select children’s nonfiction. Her interests within her specialties include historical, multi-cultural, magical realism, sci-fi/fantasy, gritty, thrilling and darker contemporary novels, middle grade with heart, and short, quirky, lovely or character-driven picture books. She is always drawn to an open and positive attitude in an author, professionalism, good grammar, and fantastical, beautifully written, engaging and sexy plots.

Natalie is a member of RWA and SCBWI.

Read more about her agency on their website or Facebook, and follow Natalie on Twitter @Natalie_Lakosil!




My Illustrator:

Cathleen Thole-Daniels has been a published illustrator since 1990. Her clients include Simon & Schuster,Barnes & Noble, PlayStation, Sega Genesis, Marvel Comics, DC Comics, Legend Entertainment, Fleer Trading Card Co, Topps Trading Card Co. Her professional awards include Best Logo Design NJ-SCBWI 2009, Geraldine R. Dodge Foundation, Visual Artist Fellowship Award 2008, Fantasy/Sci-Fi Illustrators & Writers Of The Future Contest, Honorable Mention 1992. Cathleen was also a N.J. State certified Commercial Art educator from 2002-2014. Her educator awards include N.J. Governor's Award in Arts Education 2006, Outstanding Educator in the Arts Award, VSA Arts of New Jersey 2006. VSA is an affiliate of the JFK Center for Performing Arts. Cathleen now spends her time illustrating for kids, playing with her cats and bugging her husband, daughter and neighborhood squirrels to pose for photo reference! You can find her work at  http://cathleendaniels.com/


My Publicist:

After years of working in children's publicity at Simon & Schuster, HarperCollins, and other major publishers, in 2003, Rebecca Grose started her own freelance literary publicity firm - SoCal P.R. (www.socalpr.net). Using her experience and relationships with media, booksellers, and other key contacts, she works closely with her clients to strategize, design, and implement successful publicity campaigns. She has worked with several of my friends, including Yvonne Ventresca, for her Pandemic release.


So that's the team. We're all excited for this project and I think working together it will be a dream realized for me. This is the first children's book that I wrote (if you don't count all the verbose picture manuscripts I tried). And as I've mentioned, it has a special place in my heart.

Next week, this post will move over to my journey page and my blog posts will go back to writerly and world musings. When something big or exciting (hopefully not upsetting) occurs, I'll post it to the main blog then move it over.

Next, I hope to show a rough draft from Cathleen as our projected debut is September for the first book, December for the second. If all goes well, March for the third and June for the fourth.

Keep checking in,

Char