Tuesday, October 23, 2018

Say it Again and Again...

The time is ripe for more cliches. Thanks again to James Rogers, author of The Dictionary of Cliches (Ballantine Books). The research for this book is exhaustive. Rogers lays out the meaning, etymology, and then where it was first used (it's usually in a piece of literature).

Photo courtesy of Pexels

"Grasp at straws. Act in desperation (probably from the image of a drowning person clutching at anything that floats, even something so insubstantial as straws). [also catch at straws]. Rogers traces it back to 1748 in the novel Clarissa: "A drowning man will catch at a straw...."

Bury the hatchet. Rogers claims there is a dispute between a 14th century English usage of 'hang up the hatchet' which means to stop fighting, but 'bury' the hatchet appears to derive from Native Americans whose ceremony of burying two hatchets was a more binding peace agreement than any papers presented by the government.

Bag of bones. This saying seems to come from Charles Dickens's Oliver Twist as poor Oliver, practically starved, is told, "There, get down stairs, little bag o' bones."

A-OK. Americans can claim the creation of this phrase, which was first used by NASA spokesman James A. Powers in 1961 during the great space race. It meant the mission was going well and became a popular saying.

A no-win situation. In 1962, against the backdrop of the Cold War, this American saying is attributed to "war game activity... "there are plenty of 'no-win situations'" in war games and in real wars."

There are so many wonderful cliches! I encourage you to check out this book. (You might want to review your manuscript to see if you've used a few...)

Till next week!

Char

Monday, October 8, 2018

Just a Nice Day...

On Saturday, I sold/signed books at the Collingswood Book Festival. 

I love this festival. After attending for a number of years, in my opinion, it's the BEST.

Oh, there are other festivals like the Hudson Children's Book Festival and the Warwick Book Festival and the Princeton Book Festival, which may be bigger, but they aren't as good. Here are 5 reasons why Collingswood is better:

1- They never cancel- if it rains, the entire venue moves indoors to the middle and high schools. Unfortunately, I've been at book events that are outside- even if it rains. Even with a tent, your books get damp, you have to lug your stuff around in the rain and you get wet. Plus, foot traffic is dramatically decreased (not that I blame people for not wanting to get soaked). Most times, you might as well stay home from a festival if it rains. Collingswood still manages to bring people in.

2- They invite ALL authors. This is a rarity. Hudson, Warwick, Princeton and a number of others are by invite only. Absolutely no Indie authors are allowed, and even a lot of traditionally pubbed ones can't get in. No one seems to know what the guidelines are because if they don't want to invite you, there is no reply as to why you're not welcome. At Collingswood, people are free to choose from a huge variety of authors. If attendees don't want to buy your book, Indie or traditional, they walk on by. No one 'culls the herd' for them.

3- Organizers provide authors with concise directions, parking and general info, and are always ready to answer questions. There are volunteers who, when an author does a panel, sit at your table to prevent theft of your books and belongings. Long time organizer Sidra has put together an amazing event, and her successors are stepping right in.

4- There are more things than just books. There are kids' activities, food vendors, author panels, music and more. It's like a giant party. While not everyone is a reader, I've discovered that people who get a pretzel and stroll down Haddon Avenue sometimes stop and buy a book. Maybe it's a holiday present for a grandchild, or they're just browsing but an author did a great sales pitch and snagged a sale. Events which are strictly books don't always produce good sales for some authors because of the competition. 

5- The little guy gets a chance. Sometimes, when super famous authors breeze in to a book event, all the attention is on them. I've checked out events only to find that less well-known authors have to pay a table fee, but that famous authors (who make more money) not only don't have to pay a fee, but are sometimes paid to appear. You know who's really paying for them, right? The authors who make less. Collingswood is more egalitarian. So kudos to them! 

Here at Collingswood with the fabulous Darlene Beck Jacobson

So next year, plan to come visit. Even if you don't want to buy a book, meander down Haddon Ave and take in the sights, talk to the friendliest people. But bring your wallet, just in case you see a book you can't resist...

Char

Monday, October 1, 2018

Excessively Excessive

Our culture has a thing for excess. Whether it's super sizing our burgers, or getting a venti coffee, or spending $75 on stuff you don't really need to get free shipping. Too much of a good thing is never a good thing. Here's another illustration. I have to take medication for excess stomach acid. In order to save money, I buy the multi-pack.


Ok, good, smart move. Inside are three bottles:


In each bottle, is 14 (yes, FOURTEEN) pills:


Which means each bottle is less than one fourth filled. That's a lot of empty space (and plastic) to hold so few pills.

So, 42 pills fills my hand this much:


All 42 could fit into one bottle.

So two plastic bottles and a cardboard box were excess.

I've read some books that were as loaded with excess words- verbose dialogue, lengthy backstory, copious details. I won't reveal those books, but you've read them, or have your own list. You roll your eyes, and sigh, and either plow through (I admire you for that), or like me, you toss the book aside because you have better things to do with your time, like read a better book or write your own. And if you write, maybe... you need to look at your own word usage. A cool writer's trick is to either read your story aloud, or have someone else do it. You can also change the font, because this tricks the eye and brain into thinking they don't remember the words coming next, so it's like a new story. Repetitive words will pop out, or you can do a global search. There are programs designed to help check your work, like Online Editor, Text Analyzer, or Sentence Checker. Long sentences (if you run out of breath before you can finish the sentence, then the sentence is excessively long) should pop up too. While Pulitzer Prize winners and mega bestsellers can get away with excessiveness, we, the average writer, can't.

And since writing novels doesn't pay by the word, there's no need to be excessive.

Char


Wednesday, September 26, 2018

Books You Didn't Know Were Banned

It's banned books week. Every year authors, librarians, bookseller, educators, readers, and so many others who love books and reading will discuss and debate about the unfairness and danger of banning books. They will point to Nazi and other repressive regimes as a stern warning not to go down that deceptive path.

And that's a good thing.

But let's talk about a genre of banned books that gets no notice; Indie books. As a hybrid author (both traditionally pubbed and indie publisher), I see this happening All. The. Time. No, our indie books don't make the lists- because we're ignored. Here's how we're banned:

Bookstores, both indie and Barnes & Noble, curl their lips when you mention your book is indie pubbed. Maybe read the book before you judge? There are plenty of indie books that are way better than some traditionally pubbed books. Even when I could promise that on my book launch I could sell 50+ copies (I had relatives and friends showing up), I still wasn't welcomed to hold my launch at a bookstore.

So many organizers of book festivals say that indie authors aren't welcome. I understand you don't want to be overrun with poorly written books (everyone thinks they're an author, but I've seen some celeb books that are horrendous yet some traditional publisher published them!). Why not check the books out? Ask us to submit a copy for review. Anyone should be able to tell within a few chapters if the book is acceptable. Or ask for proof of reviews from such trusted sources as Publishers Weekly, et al. Instead, indie authors are mostly banned from a majority of the book festivals, especially the big ones, which would greatly help indie author sales and publicity. (More than one indie book has sold well and been picked up by traditional publishers. Right, Amanda Hocking?)

Reviewers follow in step too. Only in the last few years has Publishers Weekly opened a section to review indie books called Booklife. Surprise! some of them got good or great reviews! Now if VOYA, Kirkus, School Library Journal, and the other major reviewers would do this, we indie authors might have a modicum chance of success.

Even Amazon, once the beacon of hope for indie publishers has recently thrown us under the bus by proposing allowing third parties selling copies of our books to place their 'Buy' button before us as the publisher. While Amazon still makes money, authors are cheated out of royalties. Amazon is doing it to traditional publishers too, so maybe they will fight back and form their own distributor, bypassing Amazon or at least making the selling field level. Indie authors have no David to fight the Amazon Goliath.

Without recognizing that we exist and allowing us a small crumb of attention, all these participants are effectively banning indie authors. It doesn't matter the reason they give, it's banning, plain and simple.
Photo by Kat Jayne from Pexels

Char



Tuesday, September 18, 2018

I'm taking a break (a cliche) from cliches - and sharing this review by kids of my book Evolution Revolution: Simple Machines. Sometimes you have to do what makes you feel good. And kids loving my book and getting it makes me happy. Here's the review from kids at



Give it a listen. And if you're a teacher looking for STEM/STEAM books for middle graders with a fresh approach, (with resource guides for free!) let's talk! 




Char

Monday, September 10, 2018

Cliches... Running the Course...

Continuing my perusal of all things cliche, today I have four fresh ones. As a writer, I hear a ton of cliches, but in The Dictionary of Cliches by James Rogers, there are ones I haven't heard before (and I'm pretty sure a lot of you haven't either).

Grey Eminence: An influential figure in the background. Rogers writes that this saying is based on the life of Francois Leclerc du Tremblay, an adviser to Cardinal Richelieu, who advised King Louis XIII. Francois wasn't famous like the cardinal or the king, but apparently had a lot of unseen influence, akin to the cliche, "behind every successful man is a woman." Reading this my first thought went to Gandalf the Grey- grey in appearance, and a behind-the-scenes guy (at first) in the Lord of the Rings books.

High Dudgeon. I liked the sound of this. It means "a state of considerable anger, resentment or ill humor." I can picture this in a book of high fantasy with knights and swords and treachery. Rogers writes that "dudgeon" means "the hilt of a dagger" and if someone is really ticked, well, you might find him using that dagger against the person who angered them (although the Oxford English Dictionary doesn't agree.

Put the Arm On. This is a complicated way to say arrest, a 'gentler form' according to Rogers, as police officers are considered an 'arm of the law.' It was first used in 1943 by Raymond Chandler when he wrote Lady of the Lake. A second definition is to "borrow money or to ask for a loan." The phrase "putting an arm on him" appeared in the musical Pal Joey by John O'Hara.

Under the Counter. Rogers defines this as something "sold or done surreptitiously; a transaction done somewhat on the sly. The expression arose in World War II when so many storekeepers kept items under the counter for friends or good customers, since so many things were rationed or in short supply."

Photo by Erik Scheel from Pexels

So there you have four more expressions to avoid, although I'm thinking I'll be using  'grey eminence' sometime in my life. It's so old, no one really remembers it, and it was an obscure  British saying, so I think I'd be safe in using it now.

Until next week,


Char


Monday, August 27, 2018

Time to Rise and Shine!

Even when we know we shouldn't, we use cliches. They are comfortable. Familiar. Everyone knows what you mean when you use them.

But cliches are worn out. They are the tool of a lazy or unimaginative writer or speaker.
The thing is, there are soooo many cliches that it's not easy coming up with colorful alternatives. There are over 2,000. Yep. There's a whole book devoted to them, written by James Roberts, The Dictionary of Cliches. Some we all know, like 'hard as nails' or 'puppy love.' Some are so dated, that few readers today without a gray hair know them, like, 'you can't make a silk purse out of a sow's ear' or 'too many irons in the fire.' Some I hadn't heard of, like 'thin edge of the wedge.' ? What does that even mean? According to Roberts, it means:

     The beginning of a venture that is expected to expand; the leading edge of a program or activity. This "wedge" is the metal one, about six inches long, employed to split logs. Once you get the leading edge started, you have a good chance of splitting the wood (unless it is unseasoned or has the kind of grain that does not split readily). Anthony Trollope had the image in Doctor Thorne (1858), both as a chapter heading (The Small End of the Wedge) and as a description of a ploy by a woman against the doctor (there Trollope wrote "the little edge"). In 1884 The Graphic offered: "Cremation advocates have managed to get in the thin edge of the wedge in France."

Okay, I have little knowledge about splitting logs so I never would have guessed this.

Another one is 'go around Robin Hood's barn.' Take (often unnecessarily) a circuitous route; proceed by indirection. Robin Hood, a perhaps legendary figure, has represented since the 14th century the free spirit who robs the rich to pay the poor. He had no barn, since all his activities were outdoors, and so to go around Robin Hood's barn is a labored effort. The phrase is more recent than the legend, having first turned up in print in J. F. Kelley's Humors of Falconbridge (1854): "The way some folks have of going round 'Robin Hood's barn' to come at a thing.

Makes sense. And this is kind of fun. So every once in a while, I'll pull out the more obscure or ancient ones. (I'm wondering too, if they are so outdated no one remembers them, are they still cliches?)

Till then, we'll let sleeping dogs lie...

Photo by Christian Domingues from Pexels


Char