Showing posts with label libraries. Show all posts
Showing posts with label libraries. Show all posts

Monday, August 2, 2021

Judgement Days


Photo by Nataliya Vaitkevich from Pexels 


The controversy surrounding Simone Biles' decision to withdraw from several events at the Tokyo Olympics has shown all too clearly how many judge her. Without discussing any merits (or lack thereof), Simone and other public figures face the same thing authors do- constant judgement. 

In no way am I equating the difficulty of her position nor the harshness of public commentary to what other authors and myself receive, but it's akin. Authors are constantly judged: by editors, agents, bloggers, libraries, booksellers, review organizations, readers, other authors, and even family and friends, to say nothing of our own judgements. Too many people say "toughen up" to athletes, artists, authors, and others in the spotlight because we "chose" to be in the spotlight. 

Um, not necessarily. Like Simone, I want to use my talent. She does impossible, death-defying leaps and flips, I write stories. Just because we exercise our talents and the world views them, doesn't mean that we should be open to any and all criticisms. Yes, it comes with the job, but no, that's not a free license. While most of the criticism and judgement I've received as an author has been constructive and made me a better writer, not all of it was, even by industry 'experts.' Sometimes it felt patronizing, condescending, even cruel. Kind of like a middle-aged broadcaster sitting on his butt who never excelled in anything athletic telling Simone that she's weak and an embarrassment and she needs to toughen up mentally because he doesn't understand the sport or the situation. Armchair gymnast. But she has shown herself to be graceful, poised, and defiant. A class act all the way. That's the lesson, hard as it is to bear (trust me, I know), that authors, especially beginning ones, need to learn. We are creating an entertainment and as such, it opens us up to criticism from all sides. Some can deal with it, others can't. Even with a bestseller, there's always commentary from those who don't write about the next success, the next achievement, and how long till then, and what the public expects. One can study and memorize all the moves a gymnast makes, but in the end, without having performed them, the person criticizing is not a total expert. Likewise, one can read all the books, write critical essays and point out flaws, but if it's from the perspective of someone who doesn't write, well, it's not the absolute. I've been given bad advice from experts, but the thing to remember is the perspective- it's theirs and it won't necessarily be the best from my perspective. 

I'm not going to tell anyone to get a 'thick skin' which new writers are constantly advised. Take from the criticisms what you will, what you agree with, what works. In the end, it's your journey and sometimes you have to ignore the noise from the crowd and do your own thing. 

Keep writing- and believing in yourself. Be a Simone Biles.

Char

Monday, February 24, 2020

An Author's Life, Part Two

Last week I did #AuthorLife where every day in February, an author posts about a given topic. This week I'm wrapping it up with Days 15-29:

Day 15 - Prized Bookish Possession:

My Lord of the Rings Collector's Edition. Best. Book. Ever.

Day 16 - Research:

Blonde OPS, for those of you who haven't gotten around to reading it (please do, ASAP, it makes this even funnier), is a novel about a 16-year-old named Bec who gets expelled for hacking her grades. Busy mom sends her to stay with a family friend, a magazine editor, who is on location in Rome. The First Lady is coming for a photo shoot, and 'accidents' start happening, so Bec uses her hacker skills to solve the mystery. The research for this book included First Lady, Secret Service, guns, hacking locks, hacking cars, etc. (You see where I'm going with this?). So the FBI sent me a little note...

A screen shot of the "hi there!" from the FBI- after they shut down my browser... numerous times

Day 17 - Dream Event/Retreat:


What could be greater than chatting up my books with Jimmy Fallon?

Day 18 - Teaser Tuesday:

I've already given you the first paragraph of my current work in progress, so what about a snippet from Sirenz 3- A New Trend? (I hope to set this up as an ebook- it's on the List of Things To Do)



            This is how I DIE?? Hit by a dirty black Scion Cube, in the red-light district?
            WHAT will my mother think?
           How much is this going to hurt?

            As time slowed, the driver’s eye glanced up, probably from his cellphone. Just before he killed me, he’d know it. There wasn’t time for shock or regret or surprise to set in.
            I closed my eyes.
            If only I still had Hades’ picture, I could call out for help. But no, I had to spite him. I resigned myself to my pathetic fate.
            Annnnnd.... nothing. Was death instantaneous, and I was already a corpse? Well, that answered one question- we kept our consciousness. Fabuloso; I can spend eternity regretting my hubris. The Fates are probably smiling at that. Just think how cheerful my death will make Persephone. The bitch.

Day 19 - Background Noise:




That's right- NOTHING. I need silence when I write because otherwise I will sing along, or think about what the song means, or recall memories. Silence is golden...

Day 20 - Reader Love:

This was made by Melissa, when Sirenz debuted. So clever!

Day 21 - My Team:

Well, this changes as people move in and out of my life. Currently, it's my agent Sue, my friend Patti Petrone-Miller, my family, my critique group, the fabulous Kidlit Authors Club, and some SCBWI colleagues I always reconnect with. (I'd like to add Steven Spielberg, so call me Steven, 'k?)

Day 22 - Greatest Strength:

I'm rarely at a loss for words, which is good because I don't get writer's block, but has its drawbacks because sometimes I should just keep quiet...

Day 23 - Biggest Distraction:

Social media. It's a necessary evil for authors because we basically have to do all our own marketing (unless you're a celeb which, sadly, I'm not.) It's too easy to get pulled in too many directions with all the content out there.

Day 24 - Non-bookish Hobby:

Gardening.
My meditation garden; it helps me solve plot twists & gives me space from people.
Day 25 - Motivation:

Soooo many things give me motivation; simply going through life creates so many story ideas. I won't live long enough to write all the books I want. Too bad.

Day 26 - Prized Non-bookish Possession:

Without going into all the family drama, I love these pearls. Not very trendy now, but they were a gift from my mother-in-law, a wonderful woman whom I cherished. Now that she's gone, just wearing them makes me feel like she's nearby, listening to me.



Day 27 - Bookstore/Library Love:

This is a hard one; I have found that unless you're an instant bestseller or someone famous, bookstores and libraries don't really support author visits. I've had a few, but even my hometown library wouldn't host me, so... yeah. Book festivals (and some libraries host festivals) which aren't exclusionary are where it's at for most authors.

Day 28 - Acknowledgments:

This, too, changes with time. People come and go, not always under ideal circumstances. I have a different acknowledgment in each book for those people who at the time deserved a shout-out. The one constant has been my family, a perpetual source of not only material for my books, but 'motivation' for me to make us 'rich'. They have their Lamborghinis all picked out.

Day 29 - Weirdest Thing to Happen to Me:

I added this because this year is a Leap Year and I didn't want Day 29 to be left out. When my oldest sons were about 4 and 5, I took them to the Game Farm in Riverhead, NY. My mom had one stroller and I had the other. We toured the place, and stopped by the monkey cage where a worker was feeding the monkey orange soda. After chatting with him, not only did I learn that they fed junk food to the monkey (who was in too small a cage, it made me sad), but that the owner gave the animal cigarettes, and regularly beat and tormented the poor thing. Disgusted, I walked away. Not more than a few minutes later, we heard screaming; the worker had forgotten to close the cage and the two monkeys escaped, going on a rampage. People panicked and ran. My mother and I ran as fast as we could, heading for the nearest exit, rather than the cafeteria the park urged us to go to over the loudspeaker. A man with a rifle ran by, followed by others with those rope nooses they use to restrain animals. A woman started screaming because the monkey was attacking her son, then her. Then the shots rang out. My mother and I made it to the exit, shaking uncontrollably. I couldn't speed away fast enough. To my knowledge, the owner was never fined, although the game farm is gone.

So, that's an author's life for you. Sorry it's not more exciting, but there's always hope!

Char

Wednesday, September 26, 2018

Books You Didn't Know Were Banned

It's banned books week. Every year authors, librarians, bookseller, educators, readers, and so many others who love books and reading will discuss and debate about the unfairness and danger of banning books. They will point to Nazi and other repressive regimes as a stern warning not to go down that deceptive path.

And that's a good thing.

But let's talk about a genre of banned books that gets no notice; Indie books. As a hybrid author (both traditionally pubbed and indie publisher), I see this happening All. The. Time. No, our indie books don't make the lists- because we're ignored. Here's how we're banned:

Bookstores, both indie and Barnes & Noble, curl their lips when you mention your book is indie pubbed. Maybe read the book before you judge? There are plenty of indie books that are way better than some traditionally pubbed books. Even when I could promise that on my book launch I could sell 50+ copies (I had relatives and friends showing up), I still wasn't welcomed to hold my launch at a bookstore.

So many organizers of book festivals say that indie authors aren't welcome. I understand you don't want to be overrun with poorly written books (everyone thinks they're an author, but I've seen some celeb books that are horrendous yet some traditional publisher published them!). Why not check the books out? Ask us to submit a copy for review. Anyone should be able to tell within a few chapters if the book is acceptable. Or ask for proof of reviews from such trusted sources as Publishers Weekly, et al. Instead, indie authors are mostly banned from a majority of the book festivals, especially the big ones, which would greatly help indie author sales and publicity. (More than one indie book has sold well and been picked up by traditional publishers. Right, Amanda Hocking?)

Reviewers follow in step too. Only in the last few years has Publishers Weekly opened a section to review indie books called Booklife. Surprise! some of them got good or great reviews! Now if VOYA, Kirkus, School Library Journal, and the other major reviewers would do this, we indie authors might have a modicum chance of success.

Even Amazon, once the beacon of hope for indie publishers has recently thrown us under the bus by proposing allowing third parties selling copies of our books to place their 'Buy' button before us as the publisher. While Amazon still makes money, authors are cheated out of royalties. Amazon is doing it to traditional publishers too, so maybe they will fight back and form their own distributor, bypassing Amazon or at least making the selling field level. Indie authors have no David to fight the Amazon Goliath.

Without recognizing that we exist and allowing us a small crumb of attention, all these participants are effectively banning indie authors. It doesn't matter the reason they give, it's banning, plain and simple.
Photo by Kat Jayne from Pexels

Char



Monday, November 6, 2017

5 Pick Ups For Midlist Authors on Book Events

Authors do book events: conferences where they present workshops, book festivals where they sign books and interact with readers, library appearances, etc. Sometimes, they're a lot of fun and very successful.

Other times, not as much.

Here are 5 things I've found that are generally, but not always, true:

1- When you're a midlist author (as most of us are), if famous authors are invited to the same event, you can expect to have much lower sales. People come to see famous people. That's life.

2- While everyone's gushing over the famous people, you will have a lot of empty time, sitting at your table, wishing for a reader to buy your book. Use that time to get to know your tablemate. You make new friends and connections, you share information, and maybe can network and cross promote. 

Table-mate and new friend, young adult author Jennifer Wolf Kam

3- At events like conferences where you give presentations and then have time until the book signing session, use those minutes wisely. This weekend, at nErDcampLI, while my writing colleagues were giving their workshops, and because there wasn't one that I was interested in, I found myself with two empty hours so I used that hour to work on my NaNoWriMo novel. You can bring revisions that need to be finished, outline a new novel, read a book for research or pleasure. I know people that knit when they have some free time. 

Workshops don't fill all your time; have something to do!

4- Your GPS may make a mistake... so print out the directions anyway. Seriously, I was going to Long Island and my GPS wanted me to take the NJ Turnpike South. (No.) On the way home, it wanted me to go from the Long Island Expressway, through Manhattan, one of the tunnels, and then into NJ. (Are you freaking crazy??? Go through MIDTOWN?) Plan a backup route...

5- Always carry a granola bar or something to eat, because there may be food issues- you have to get your own and maybe you're not near an eatery or don't want to drive in unfamiliar towns, or they provide food but you can't eat it because of sensitivity issues or preferences. Usually there is bottled water available, or water fountains, but keep at least one bottle with you.

Till next week!

Char


Monday, June 26, 2017

All's Well That Ends Well...

Here it is!



The final (actual) book in the Evolution Revolution series: Book 3, Simple Lessons.

It's been a whitewater rafting type of ride. So many ups- from working with a wonderful illustrator to seeing how beautiful all 3 books came out, to the downs- having to go it alone for books 2 & 3, and not being welcomed by bookstores, libraries, festivals, etc. because this series is Indie published. (Why not look at it and judge for yourself rather than dismiss it out-of-hand?) I'm both sad and glad to see the series completed.

I have one more secret about the book to reveal, but all in good time. (It should be available for ordering by the end of this week.)

Now I plan to concentrate on revising several manuscripts whose time I think has come. I'm still agent querying. My NaNoWriMo project needs to get a finished outline. I'm working on getting school visits for Jack and his story. In between, I have house projects to do and I want to spend time in my pool/yard.

If you could, post a review, give a little love, and to entice you, here's an inside pic of Jack showing off his newly learned science principles...


Don't you wonder what this squirrel is up to that he has to fight off a human?

See ya around-

Char


Monday, April 17, 2017

Who Doesn't Love A Book Festival?

Like many authors, I attend book festivals. I like meeting and talking to people about books, being an author, giving writing tips--and selling my books.

Some book festivals are wonderfully organized, I return year after year, even if I don't sell a lot of books (you never know when you're going to make that one connection that changes everything).

Some are so awful, I don't return. I hear authors complaining about certain aspects of the festivals, so here's small punchlist of things to consider if you're planning a book festival- whether you're a librarian or a bookstore owner, it's going to be huge, or just a few authors. The list isn't all-inclusive as there are many aspects, but it's some of the things I notice most when fellow authors talk about the merits of one festival over another. Not in order of significance they are:

1. Let the authors know well ahead of time if there will be beverages/snacks/food available. If you aren't supplying them, fine, but we need to know so we can plan. It's impossible to do an event that is several hours long and go without food or water. When we travel for several hours, fresh food doesn't always hold up, so be humane let us know if there are shops or delis nearby.

2. With events in libraries and bookstores, sometimes you don't want us to eat at our tables. While this is understandable, we need somewhere to eat. A small room with table, chairs, and waste baskets is all we need.

3.  We all want to make the event successful, and that means getting the word out. Social media is the quickest, least expensive method. We have fans, but more importantly, you have ties to the community that are more lucrative. You can reach out to schools, PTOs, library patrons, bookclubs, and others in a larger area, especially if you are a county library or a city event. If you can publicize, and more than just a notice on your event calendar, please do so. We promise to blurb, tweet, post, and announce the event numerous times.

4. If you have someone in-house who designs event or specialty logos, share those logos with us. We love to showcase libraries or bookstores or whomever is planning the event. It brings you good PR, increases awareness of your organization or business, and maybe increases traffic for you. Plus, on our posts, it looks very professional that the event has its own logo. It means people are invested in promoting the event, they are in earnest.

5.  When authors apply to attend the event, please respond with a yes, you're accepted, or no, we've reached capacity. It's rude not to respond, and by letting us know-in a timely fashion- we can either fill our calendar with another event, or we can prepare properly for yours. We may need to create presentations, make travel arrangements, and order books. With email, there is no reason, even if a large amount of authors apply, for you not to respond (mass email is better than nothing). By not responding, you get a not-so-good reputation...

6. Make sure you have the space! The worst event I attended had authors in between book stacks at a library, and mixed YA and MG in the picture book section. There was almost no traffic-for the entire event. That's a set up for failure.

7. Another problem- putting too many authors at one table. Ideally, 3 feet of space, or, 2 authors to a 6' table, is perfect. Any smaller, and there isn't enough room for each display books, promo materials, sign, and sit. Card tables are a nightmare....

8.  Don't wait until January to plan a March event. Start a year in advance, even if you don't have a firm date. If you've never organized an event, you don't realize all the work that goes into planning. By starting early, you give yourself time to a) pick a good date, b) pick a rain date if applicablen c) get the space reserved if needed, d) start building a list of authors you'd like to contact, e) decide on a budget (do you have to pay for the space? will you offer food/drink to authors? etc.), f) work up a logo or promotional materials and have a PR plan (where will you advertise, getting info to authors for them to publicize, asking friends and colleagues to share, etc.), g) work out a schedule (will there be author panels and/or presentations? Will you have a well-known featured author?), h) recruit volunteers; one person can't do it all, i) make sure there is adequate parking for both authors and attendees. Just one snag and you'll be glad you left extra time to work it out.

9.  Talk to organizers of successful events, like YA Fest, BooksNJ, etc. (Google for a list of other events). Some planners may be too busy to respond, so my advice is to target librarians and smaller event organizers.

10. If you're going to charge the authors a fee to attend and sell their books, tell us up front. Your initial email should include this information, or if we're 'required' to join your organization to appear. Most authors will pass up an event if there is a charge unless it's a proven money maker. We have travel expenses and then to pay for the event is generally not cost effective. It's not fair, or ethical, to spring a fee on us at the last minute; and don't be surprised if authors do back out suddenly, leaving you with fewer appearing.

11. Don't forget to collect author bios, headshots, and book covers, plus book information. Do that at least several months in advance (we will update if a new book debuts). This is good info for your PR, especially if an author has a bestseller, won an award, or has a local/interesting connection.

12. We must know if a bookstore will be handling book ordering and sales, or if we are managing our own. Some authors won't do hand sales; you need to know this, and we need to know if we have to order books and pack them. Also, if a bookstore is handling the sales, we need a contact number in case we want to check that our books are in stock. Nothing angers an author more than going to an event and the bookstore didn't have the courtesy to tell them they couldn't/didn't get the book. So we traveled, and sat there, for hours, with no books to sell. And yes, this happens more than infrequently. Additionally, what are the terms; will the bookstore only order a maximum of X books, unless we buy back the unsold ones? Will they offer us a discount on buybacks since they won't have restocking /shipping fees? What about Indie authors: bookstores generally won't handle their books, so are they free to sell while traditionally pubbed have to take whatever terms the bookstore dictates? Can we opt out of bookstore sales if we think the terms are unreasonable?

13. Talk to Authors. We make the rounds of many events and know which ones are well organized. Maybe we can offer some suggestions, or give you the contact info of someone who might be able to help. You could do a quick email survey asking what they'd like to see, what they don't. While you can't please everyone, our input will give you a clearer idea of some of the issues that need to be addressed when planning these events.

14. If authors are making presentations, what about our tables, loaded with books and our things? Will someone watch them (people have 'thought' the books, left unattended, were 'free.' See the problem?) If a volunteer can't be spared, we may need to pack up our things, leaving a sign that we'll return after our presentation/panel. This is a huge hassle. Sometimes, our fellow authors can cover our tables, but if several of us are on the same panel, the tables are left unattended.

The best book festival I ever attended was PAYA (PA loves YA). And it was organized/run by a high school girl. It had a good number of authors, food, space- and one year, even with a hurricane on its way- the place was packed and I've never sold as many books at one time. She went off to college, and sadly, no one stepped into her place. I miss that festival!

So it can be done. These are only a few of the many things you'll need to consider, but if you're serious about starting a festival, or trying to improve one (very few are greatly successful the first year, so hang in there), you can do it.

We authors are cheering you on!


(This was at PAYA, one of the most successful, and best run book festivals.)

Char

Monday, April 9, 2012

A Forgotten Tradition - Revived

Last Sunday I was at Books of Wonder in NYC doing the YA Teen Author Fest signing (lots of great authors- hope you didn't miss it, but if you did, you missed a lot!). During a signing lull, a book lover/blogger came up to me and asked me to autograph a book- not Sirenz, but a book she was keeping of all the authors she'd met. (Let's face it, very few people can buy every book put out- that's why we desperately need our libraries!)

She was bringing back, via a suggestion from her mother, the Autograph Book. (These were very popular when I was in elementary school, before the younger grades started doing yearbooks. We would put funny poems like, "Roses are red, daisies are cream, my face is funny, but yours is a scream!") She got all the autographs of the authors there - I think there were 66 of us throughout the day!

So I'm imitating her with a twist- I'm collecting authors' autographs and their bookmarks. The journal I bought at Walmart for a few dollars has 265 pages and a pretty blue cover (it's like a journal).


That's a lot of signatures. Maybe when I fill it up, I'll keep it, or auction it off for charity, I don't know. Who knows, maybe I'll get the signature of a newbie author who turns into the next Anne Rice, John Green, Suzanne Collins, etc.

But Nat & I get first page. Now I just have to get her signature. All you authors, you're next!


Char