Waste Not - Want Not?

I know a very talented artist. Won awards. Got scholarships for his talent. Sadly, he turned them down and studied Criminal Justice. And then worked in the food industry. He never seriously picked up a pencil or brush after high school.

Photo courtesy of Alicia Zinn, Pexels. 

And I think, 'what a waste.'

If I had that talent, I'd do so much... Besides writing, I would illustrate books. I'd make art not only for books, but for my house, heck, maybe even sell some next to my books.

But I understand why someone would not want to use their talent. It's draining. You're constantly bombarded with ideas and possibilities, and it drives you crazy when you can't bring those ideas to fruition. You spend so much time in your head; characters won't shut up, demanding to have their story told or drawn. Life demands a lot and there's only so much time, motivation, and opportunity. I'm reminded of artists who suffer for their art; little or no recognition or appreciation during their lifetime so they face not only frustration but economic hardship.

So be kind when you think someone is 'wasting' their talent/skills by not using them. There are many reasons why they don't. And, keep in mind when you're looking at someone's work, what went into creating it. Don't begrudge them the price of their hard earned work. Whether painting, novel, jewelry, or other craft, much time and effort went into it. Give artists their due.

They deserve it.

Char

Love Lift Us Up...

I'm not going to get mushy on you, talking about love thy neighbor (though we need it), or love yourself (have you, lately?).

I'm sharing my 'love' of the children's book writing community. I'm an author, so I try to support writers- published and waiting to be. But today, I want to focus on the other half- the illustrators.

You all know I LOVE my illustrator, Cathy Daniels.

You've seen the Evolution Revolution series covers (I hope)- book 1, Simple Machines, book 2, Simple Plans,  and book 3, Simple Lessons. Here's a sneak peek at an interior illustration for Simple Lessons:

The picture tells a piece of the story (but read the whole book to see the other great pictures and get the whole story). Many people have been attracted to the book (kids and adults) because of the illustrations. When they're done this well, you know the illustrator put the best effort (and then some) into their work. If you're going Indie, don't be cheap and have your child scribble something. Hire a professional artist. You get what you pay for, and if your book is that important, doesn't it deserve wonderful illustrations? Check out Cathy's other works here.

My next gush is Mike Ciccotello. He's sort of newcomer to the New Society of Children's Book Writers and Illustrators (SCBWI). I 'discovered' him last year, walking through the juried art show at our annual conference. This was his piece:

When I told him how much it 'spoke' to me, he gave me the print! It hangs in my office so I can always remember the joy and spark of imagination of being a child. This year, Mike won the People's Choice Award! Here's the pic:

And it's sitting in my office! I'm having huge fangirl moments here! After his family, I think I'm his biggest groupie! So I have the Mike wall. Check out Mike's work here. (I think he should make his own coffee cups- these are fab, but make sure to stroll around his site and see all his work.) And notice that he'd make a good book illustrator too....

But there is so much love to go around. My friend, Colleen Rowan Kosinski, gave me her signed print! Check it out:

 Notice the character in the background to the left... Her picture book, Lila's Sunflowers, debuted a few months ago, and is a wonderful story about- well, I won't ruin the surprise. It's touching and moving (tissue alert for sentimental slobs like me.) Check out her book and her work here.  More books are forthcoming, so I don't have to tell you what a talented illustrator she is.

There are soooo many wonderful artists at the conference, and I wish I could showcase them all. My friend, Kathy Temean, is working on displaying as many of the artwork as she can, so check out her blog over the next week or so and see the other outstanding, incredible, I'm-so-damn-jealous-of-their-talent artists. Visit their websites/blogs, praise them for their work. Spread the love. In a frightening world, art soothes the soul, calms the nerves, and lightens the heart.

Now I'm going to doodle some stick figures....

Char

Discovering Her Creative Zen

This is one of my absolutely favorite pieces of art:

I love Asian inspired pieces, and this hangs in my downstairs library. Besides being painted, the geisha's dress and sash are applied silk fabric. I love the way the artist incorporated both visual and textural elements. You can't touch the silk because of the glass, but you can see it. (I wouldn't want anyone putting their greasy fingers on the silk anyway. This isn't a 'touch me' museum.)

The artist started painting, drawing, sculpting, and creating in other mediums later in life- in her 50s or 60s. Some of her pieces I don't care for, but just like with my books, there are people who don't like them all, and that shouldn't take away from enjoying the work that they do, or stop them from checking out newer ones.

What impressed me most about the artist is that she never thought she had creative talent. Artistic ability always belonged to someone else. I don't know what spurred her to say, 'Screw it, I want to paint.' But she did, and I'm glad. Maybe New York art galleries would laugh at her work if she tried to get a showing, but hey, I've seen some 'art' that leaves me cold (religious depictions in feces??), and I'm very choosy about modern art (I don't do 'Campbell's soup labels' kind of thing). Art is in the eye of the beholder even if beholders are few and far between. Art should be for one's self, itis personal expression and doesn't need to fit anyone's expectations. If others like or appreciate it, bonus. No one should be afraid to try, to experiment, to throw reservations to the wind.

So don't worry that your creative work isn't 'good enough.' If you don't like it, you can rework it. Artists are never happy with their creations, always wanting to tweak it just a bit more, but don't let it discourage you. I've perused my previous books and without fail, can find sentences that I'd like to rework, but it's done and I have to move on. I have to take the plunge on the next project.

Get working, express yourself, please yourself. And if you become afraid of what others will think, just remember my mom and her painting in my library.

Char

Between the Covers...

Most people outside the publishing biz don't realize that authors generally don't get a say in their covers. And sometimes if a cover is beta tested and gets a meh response, the publisher will change the cover. That happened with Sirenz. Here's the original cover:

It seems that it looked too evil (sorry Hades, guess your bad rep isn't bad enough), and people couldn't understand that the heel was the 'i' in Sirenz. I didn't think it was that difficult a concept, but apparently it was.  So the cover was changed to this:

Booksellers were less than thrilled, which made it hard to find the book in stock. (It generally wasn't. Alms for the poor....)

The same thing happened with Blonde OPS. This is the first cover (which I hated but mom said if you can't say anything nice...)

It looked too much like Brittany Spears advertising a better known author's books... Plus I thought it didn't do the book justice; our girl was more edgy, less 'Legally Blonde' -ish. The one thing I did like about it was the architecture in the background- very Italian.

So it changed to this:

The Vespa is a factor in the story (cool car chase through Rome, but read it because I won't tell you any more). Although originally the Vespa was neon green, it was easier to change the text than the photo. And with the red shoes, it felt like a 'karmic 'connection' to Sirenz.

Which brings me to Evolution Revolution: Simple Machines. I gave my illustrator, Cathy Thole-Daniels, free rein. She was the artist, she obviously had an eye for design; it was best I didn't get in her way. This is the rough draft:

Jack, the squirrel in the center, is the main character (and he is quite the character). The other animals play a decent part in the novel too which is why she put them on there. I wasn't thrilled with the font for the title because I thought it was not in keeping with the 'scientific' aspects of the book (you'll have to read it, no spoilers!). She went back to the drawing board, and after talking with her artists' critique group (I didn't know they had them too!), this is the revised cover draft:

Still, I didn't like the title font (hint: 'simple machines'), it looked too forestry. Another revision, and this came up:

She focused more on Jack and the other characters slid off center to the sides. Plus, you can see the details of the wheel (which is important in the story). Next was color. At first there was a lot of green (forest, woods?) so I asked for a complimentary color- like orange and red and yellow because it's autumn when the book takes place, She felt the next version looked too red; "like he's in Hell."

And with the tweaks, here is the final cover:

It's more muted than the previous one (which was deleted), Jack is highlighted just a bit more, the title and text are easier to read, and it captures what I didn't know I wanted. That's the value of a professional artist. If you're thinking of Indie publishing, don't scrimp on the cover art, it will show. Nothing worse than a tacky, cheap, or obviously home-made cover. Every time I look at this cover, knowing that this is the book of my heart (I wrote it over 10 years ago), I'm left breathless. It's also reaffirming when people see the cover and gush over it. I have no doubt it will help the book become a success (and feed both author and illustrator, so bear that in mind).

The next in the series, Evolution Revolution: Simple Plans will be out next year. I had planned on December, but this is a difficult learning process; it's not simply uploading your text into a program. It's going to take a while to become proficient. My agent started this one, but the agency no longer handles Indie published works, so I'm on my own for the rest of the series. I'm still writing and submitting other books to my agent and am ever hopeful that a traditional publisher will pick one up because man, this is a lot of work, stress, expense, and time. (And frustration, but that's another blog post).)

So stay tuned for the launch. Jack and I will be appearing at signing venues like the Collingswood Book Festival, the NJ School Librarians conference, and other events.

Char